The Perception and Evocation of LiteratureScott, Foresman, 1973 - 376 páginas |
Dentro del libro
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Página 171
... perceived relationships , they rely for their existence upon the perceiver . And in the performance of literature ... perceive the irony of a naive speaker in a poem , yet this is the very essence of irony . In summary , this chapter has ...
... perceived relationships , they rely for their existence upon the perceiver . And in the performance of literature ... perceive the irony of a naive speaker in a poem , yet this is the very essence of irony . In summary , this chapter has ...
Página 309
... perceived in some setting ; and ( 3 ) they are perceived as exist- ing at some time in their personal history or man's history or the collective mythic his- tory of man's awareness . This information is conveyed largely through dialogue ...
... perceived in some setting ; and ( 3 ) they are perceived as exist- ing at some time in their personal history or man's history or the collective mythic his- tory of man's awareness . This information is conveyed largely through dialogue ...
Página 352
... perceived , it must move quickly and syncopatedly . It must not overexpose itself , extend itself in duration , or , as a rule , re- peat itself ( except for emphasis ) . When paced rapidly , visual information plays upon retinal ...
... perceived , it must move quickly and syncopatedly . It must not overexpose itself , extend itself in duration , or , as a rule , re- peat itself ( except for emphasis ) . When paced rapidly , visual information plays upon retinal ...
Contenido
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Derechos de autor | |
Otras 23 secciones no mostradas
Términos y frases comunes
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer