The Perception and Evocation of LiteratureScott, Foresman, 1973 - 376 páginas |
Dentro del libro
Resultados 1-3 de 94
Página 72
... performances and which will almost surely add more mature behavioral dimensions . Of course , a definitive performance is always a mature act , regardless of the age of the performer . A sympathetic approach to a piece of literature ...
... performances and which will almost surely add more mature behavioral dimensions . Of course , a definitive performance is always a mature act , regardless of the age of the performer . A sympathetic approach to a piece of literature ...
Página 106
... performance toward a particular person or a false standard , thereby distorting the actual values of the literature in favor of the values of the person or persons you are trying to impress . Most professional performers establish inner ...
... performance toward a particular person or a false standard , thereby distorting the actual values of the literature in favor of the values of the person or persons you are trying to impress . Most professional performers establish inner ...
Página 117
... performance are derivative of the literature and not of the performer . When the time within the performance is focused on the interpreter rather than on the nature of the time within the literature he is performing , the interpreter ...
... performance are derivative of the literature and not of the performer . When the time within the performance is focused on the interpreter rather than on the nature of the time within the literature he is performing , the interpreter ...
Contenido
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Derechos de autor | |
Otras 23 secciones no mostradas
Términos y frases comunes
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer