The Perception and Evocation of LiteratureScott, Foresman, 1973 - 376 páginas |
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Resultados 1-3 de 30
Página 150
... selection ? What is the principal presentational value of the selection ? ( See chart on page 22. ) 2. In what mode is the selection written ? What are the central behavioral problems in the selection ? in the " presses " ? 3. How is ...
... selection ? What is the principal presentational value of the selection ? ( See chart on page 22. ) 2. In what mode is the selection written ? What are the central behavioral problems in the selection ? in the " presses " ? 3. How is ...
Página 179
... selection ? What is the principal presentational value of the selection ? ( See chart on page 22. ) 2. In what mode is the selection written ? What are the central behavioral problems in the selection ? in the " presses " ? 3. How is ...
... selection ? What is the principal presentational value of the selection ? ( See chart on page 22. ) 2. In what mode is the selection written ? What are the central behavioral problems in the selection ? in the " presses " ? 3. How is ...
Página 298
... selection ? What is the principal presentational value of the selection ? ( See chart on page 22. ) 2. In what mode is the selection written ? What are the central behavioral problems in the selection ? in the " presses " ? 3. How is ...
... selection ? What is the principal presentational value of the selection ? ( See chart on page 22. ) 2. In what mode is the selection written ? What are the central behavioral problems in the selection ? in the " presses " ? 3. How is ...
Contenido
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Derechos de autor | |
Otras 23 secciones no mostradas
Términos y frases comunes
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer