The Perception and Evocation of LiteratureScott, Foresman, 1973 - 376 páginas |
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Página 266
... style . The sense of neatness and order , of perceivable limits in a discussion of the elements of poetic form , for example , vanishes when we turn to the question of a ... style and expectation 266 The Perception and Evocation of Style.
... style . The sense of neatness and order , of perceivable limits in a discussion of the elements of poetic form , for example , vanishes when we turn to the question of a ... style and expectation 266 The Perception and Evocation of Style.
Página 267
Leland H. Roloff. STYLE AND EXPECTATION To pair the words style and expectation may seem strange . A feeling of surprise is le- gitimate , for the concept of originality and freshness of style suggests the opposite of expectation . Yet ...
Leland H. Roloff. STYLE AND EXPECTATION To pair the words style and expectation may seem strange . A feeling of surprise is le- gitimate , for the concept of originality and freshness of style suggests the opposite of expectation . Yet ...
Página 270
... style that is utterly predictable is necessarily tedious . STYLE AND THE MAN CONGRUENCE OF STYLE AND WRITER Every man affects a style in spoken language . We may forget that the oral style we have all learned in our families , our ...
... style that is utterly predictable is necessarily tedious . STYLE AND THE MAN CONGRUENCE OF STYLE AND WRITER Every man affects a style in spoken language . We may forget that the oral style we have all learned in our families , our ...
Contenido
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Derechos de autor | |
Otras 23 secciones no mostradas
Términos y frases comunes
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer