The Perception and Evocation of LiteratureScott, Foresman, 1973 - 376 páginas |
Dentro del libro
Resultados 1-3 de 42
Página 27
... turning with his revo- lution , never ceased to follow him , and whose seat was his point , so to speak , of ori ... turn , as he afterwards felt , of a hair , though he was indeed to live to believe that if light hadn't come to him ...
... turning with his revo- lution , never ceased to follow him , and whose seat was his point , so to speak , of ori ... turn , as he afterwards felt , of a hair , though he was indeed to live to believe that if light hadn't come to him ...
Página 146
... turn " and – more specifically in verse- " to return . " Prose , on the other hand , is derived from the Latin word ... turning and returning upon itself in arresting patterns . Generally , most people employ the words prose and poetry ...
... turn " and – more specifically in verse- " to return . " Prose , on the other hand , is derived from the Latin word ... turning and returning upon itself in arresting patterns . Generally , most people employ the words prose and poetry ...
Página 225
... turn me round and round . I will get dizzy and protest the giddy framework of the stool I'm riding on but turn me round and round . Put your hand ( you love me ! ) on my neck , the other on my thigh , and walk beside , and turn me round ...
... turn me round and round . I will get dizzy and protest the giddy framework of the stool I'm riding on but turn me round and round . Put your hand ( you love me ! ) on my neck , the other on my thigh , and walk beside , and turn me round ...
Contenido
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Derechos de autor | |
Otras 23 secciones no mostradas
Términos y frases comunes
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer