The Perception and Evocation of LiteratureScott, Foresman, 1973 - 376 páginas |
Dentro del libro
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Página 236
Leland H. Roloff. The Phoenix / Cynewulf ( ? ) BLANK VERSE AND OLD ENGLISH VERSE In blank verse and Old English verse , the container , the form into which the experi- ence is put , is the individual line , and not larger stanzaic or ...
Leland H. Roloff. The Phoenix / Cynewulf ( ? ) BLANK VERSE AND OLD ENGLISH VERSE In blank verse and Old English verse , the container , the form into which the experi- ence is put , is the individual line , and not larger stanzaic or ...
Página 240
... verse . FREE VERSE In a sense the set patterns that have been discussed in this chapter are easier to un- derstand and define than the free pattern of experience and language known as free verse , identified occasionally by the French ...
... verse . FREE VERSE In a sense the set patterns that have been discussed in this chapter are easier to un- derstand and define than the free pattern of experience and language known as free verse , identified occasionally by the French ...
Página 246
... verse there is a freedom , but there is a control as well . The performer must seek what that controlling element is , and in Whitman , as in much free verse , it is often in the smallest units , the units , by the way , which ...
... verse there is a freedom , but there is a control as well . The performer must seek what that controlling element is , and in Whitman , as in much free verse , it is often in the smallest units , the units , by the way , which ...
Contenido
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Derechos de autor | |
Otras 23 secciones no mostradas
Términos y frases comunes
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer