The Perception and Evocation of LiteratureScott, Foresman, 1973 - 376 páginas |
Dentro del libro
Resultados 1-3 de 64
Página 78
... voice and personage of the literature . If , instead , we are left with the impression of the performer and his personality , what we have experienced is not the impress of the characters in the literature , but , rather , the ...
... voice and personage of the literature . If , instead , we are left with the impression of the performer and his personality , what we have experienced is not the impress of the characters in the literature , but , rather , the ...
Página 102
... voice , and personal projection . While the performing artist knows that the lit- erature as such is his first and ... voice a suitable instrument of expression ? - Can I use my voice flexibly and project it effortlessly ? - Am I using ...
... voice , and personal projection . While the performing artist knows that the lit- erature as such is his first and ... voice a suitable instrument of expression ? - Can I use my voice flexibly and project it effortlessly ? - Am I using ...
Página 143
... voice , and a concluding statement made in the voice of an observer . Novel / / Robert Lax Novel / 16 Robert Lax The Time in the Literature Itself 143.
... voice , and a concluding statement made in the voice of an observer . Novel / / Robert Lax Novel / 16 Robert Lax The Time in the Literature Itself 143.
Contenido
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Derechos de autor | |
Otras 23 secciones no mostradas
Términos y frases comunes
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer