Shakespeare's Dramatic Art: History and Character of Shakespeare's Plays, Volumen1G. Bell and sons, 1876 |
Dentro del libro
Resultados 1-5 de 92
Página viii
... connection of the several parts , and to the unity which binds and holds them all together : not only the action and the movements of its development , but also the characters , relations , and conditions of the dramatic personages ...
... connection of the several parts , and to the unity which binds and holds them all together : not only the action and the movements of its development , but also the characters , relations , and conditions of the dramatic personages ...
Página ix
... connection to accident , to caprice , to the poet's temporary disposition and state of mind , to external circumstances and relations , or again , those who - in place of endeavouring by means of a reproducing imagination , to comprise ...
... connection to accident , to caprice , to the poet's temporary disposition and state of mind , to external circumstances and relations , or again , those who - in place of endeavouring by means of a reproducing imagination , to comprise ...
Página 1
... connected with religion . Strange as this may sound , in regard to the structure and position of the modern drama , still it is no less certain that the Church was also its birth - place . This has been dis- puted by referring to the ...
... connected with religion . Strange as this may sound , in regard to the structure and position of the modern drama , still it is no less certain that the Church was also its birth - place . This has been dis- puted by referring to the ...
Página 2
... connection between modern art and the remains of ancient culture , which was never entirely interrupted , certainly ... connected therewith . * The germ , how- ever , doubtless lay from the very commencement in the early Christian form ...
... connection between modern art and the remains of ancient culture , which was never entirely interrupted , certainly ... connected therewith . * The germ , how- ever , doubtless lay from the very commencement in the early Christian form ...
Página 7
... connected with the so - called Epistolæ farsitæ , and is in itself perhaps nothing but a development of the epistola farsita with more of a dramatic form . This supposition is supported not only by the character of the whole piece , the ...
... connected with the so - called Epistolæ farsitæ , and is in itself perhaps nothing but a development of the epistola farsita with more of a dramatic form . This supposition is supported not only by the character of the whole piece , the ...
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Términos y frases comunes
according accordingly action already ancient appear beauty Ben Jonson blank verse character characterisation Collier colouring comedy comic composition death diction doubt dramatic art Dyce edition element endeavoured English drama Engravings especially exhibited expression external fact feeling give Gorboduc Greene's Hamlet hand hence Henry Henry VI hero Heywood honour human idea ideal intention Jonson Juliet King King Lear language lastly latter Lear London lyrical Macbeth manner Marlowe Marlowe's marriage merely mind moral Moral Plays motives nature noble Othello passion peculiar persons piece play poems poet poetical poetry popular Portrait possess printed probably proved Queen racter reality regards relation representation represented Romeo Romeo and Juliet scenes Sejanus Shak Shakspeare Shakspeare's Sonnets soul Spanish Tragedy spirit stage Stratford style Tamburlaine tendency theatre thought tion Titus Andronicus tragedy tragic pathos Translated true unity verse vols whole words written
Pasajes populares
Página 214 - O for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide, Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Página 238 - TWO loves I have of comfort and despair, Which like two spirits do suggest me still: The better angel is a man right fair, The worser spirit a woman colour'd ill. To win me soon to hell, my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride...
Página 193 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Página 417 - No more of that : — I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am ; nothing extenuate, Nor set down aught in malice : then must you speak Of one, that lov'd not wisely, but too well...
Página 474 - What may this mean, That thou, dead corse, again in complete steel Revisit'st thus the glimpses of the moon, Making night hideous ; and we fools of nature So horridly to shake our disposition With thoughts beyond the reaches of our souls ? Say, why is this ? wherefore ? what should we do ? Ghost beckons HAMLET.
Página 215 - Tired with all these, for restful death I cry: As, to behold desert a beggar born. And needy nothing trimm'd in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplaced, And maiden virtue rudely strumpeted, And right perfection wrongfully disgraced, And strength by limping sway disabled, And art made tongue-tied by authority, And folly doctor-like controlling skill, And simple truth miscall'd simplicity, And captive good attending captain ill.
Página 226 - Why is my verse so barren of new pride ? So far from variation or quick change ? Why, with the time, do I not glance aside To new-found methods and to compounds strange ? Why write I still all one, ever the same, And keep invention in a noted weed...
Página 472 - O, what a noble mind is here o'erthrown ! The courtier's, soldier's, scholar's, eye, tongue, sword : The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
Página 227 - tis true, I have gone here and there And made myself a motley to the view, Gor'd mine own thoughts, sold cheap what is most dear, Made old offences of affections new.
Página 232 - If music and sweet poetry agree, As they must needs, the sister and the brother, Then must the love be great 'twixt thee and me, Because thou lov'st the one, and I the other. Dowland to thee is dear, whose heavenly touch Upon the lute doth ravish human sense ; Spenser to me, whose deep conceit is such, As, passing all conceit, needs no defence. 110 Thou lov'st to hear the sweet melodious sound That Phoebus...