The Mozart Compendium: A Guide to Mozart's Life and MusicHoward Chandler Robbins Landon Schirmer Books, 1990 - 452 Seiten Some two dozen contributors cover the entire range of Mozart studies--historical and musical background, Mozart as an individual, the sources of the works, their reception, the musical style, and performance practice--offering in each section a clear, accessible, up-to-date summary of the thinking on the subject. Includes a chronology, a family tree, a glossary of names, a full listing and discussion of the works by genre, and an excellent select bibliography. First published in Great Britain (Thames and Hudson, 1990). Annotation c. Book News, Inc., Portland, OR. |
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Seite 74
... Opera Opera in the 18th century was not a homogeneous art - form . Its features varied according to its subject matter and the language in which it was sung . The dominant genres were serious and comic opera in Italian ( commonly ...
... Opera Opera in the 18th century was not a homogeneous art - form . Its features varied according to its subject matter and the language in which it was sung . The dominant genres were serious and comic opera in Italian ( commonly ...
Seite 75
... ( opera buffa ) would contain a greater variety of music than a genre with high - class characters only ( opera seria ) , and this is indeed the case . As it developed , opera buffa borrowed several of the styles previously found in opera ...
... ( opera buffa ) would contain a greater variety of music than a genre with high - class characters only ( opera seria ) , and this is indeed the case . As it developed , opera buffa borrowed several of the styles previously found in opera ...
Seite 76
... opera buffa during the 1750s and early 1760s ; it disappeared from serious opera about fifteen years later . The aria forms that now became fashionable included : binary , rondo , bipartite ( slow - fast ) , also free forms which , like ...
... opera buffa during the 1750s and early 1760s ; it disappeared from serious opera about fifteen years later . The aria forms that now became fashionable included : binary , rondo , bipartite ( slow - fast ) , also free forms which , like ...
Inhalt
Readers Guide | 9 |
Section 2 | 205 |
Section 3 | 213 |
Urheberrecht | |
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The Mozart Compendium: A Guide to Mozart's Life and Music Howard C. Robbins Landon Keine Leseprobe verfügbar - 1996 |
Häufige Begriffe und Wortgruppen
Adagio Allegretto Allegro Andante Anton aria Artaria authentic autograph bars bass Bb major Burgtheater cadenzas catalogue church clarinet complete composition Constanze copies Così fan tutte court D major dances Dating from Tyson Die Zauberflöte Divertimento Don Giovanni draft score duet early edition Entführung F major father Figaro finale frag Fragmentary attempt Franz Fugue German Haydn Idomeneo instruments Italian J.C. Bach Johann Joseph K.deest keyboard Köchel later Leopold Mozart letter libretto London major AMA major NMA Mannheim Maria Anna Menuetto Michael Haydn Milan minuet Molto Mozart wrote Mozart's music Munich musicians opera orchestra Paris perf performance Piano Concerto Plath played Prague probably published Quintet Rondo Salieri Salzburg SATB Serenade singer sketches slow movement solo Soprano style survives Symphony tenor theatre timp Trio variations Verzeichnüss Vienna Viennese Violin Sonata vocal Wolfgang written Zauberflöte