The firm in heart, in spirit high ?- Each step of Edward's conquering host "Vassal of England, yes! a grave Where sleep the faithful and the brave; And who the glory would resign Of death like theirs, for life like thine? They slumber-and the stranger's tread May spurn thy country's noble dead; Yet, on the land they loved so well, Still shall their burning spirit dwell, Their deeds shall hallow minstrel's theme, Their image rise on warrior's dream, Their names be inspiration's breath, Kindling high hope and scorn of death, Till bursts, immortal from the tomb, The flame that shall avenge their doom! This is no land for chains-away! O'er softer climes let tyrants sway. Think'st thou the mountain and the storm Their hardy sons for bondage form? Doth our stern wintry blast instil Submission to a despot's will? No! we were cast in other mould Than theirs by lawless power controll'd; The nurture of our bitter sky "Tread'st thou that soil! and can it be And take thine offer'd crown from heaven. Where with her blood thy shame was seal'd. E And when all other grief is past, Must this be cherish'd to the last Will lead thy battles, guard thy throne, Whose was the guilt that wrought his fall." Still dost thou hear in stern disdain? Are Freedom's warning accents vain? No! royal Bruce! within thy breast Wakes each high thought, too long suppress'd And thy heart's noblest feelings live, Blent in that suppliant word-"Forgive!" "Forgive the wrongs to Scotland done! Wallace! thy fairest palm is won; And, kindling at my country's shrine, My soul hath caught a spark from thine. Oh! deem not, in the proudest hour Of triumph and exulting power— Deem not the light of peace could find A home within my troubled mind. Conflicts by mortal eye unseen, Dark, silent, secret, there have been, Known but to Him whose glance can trace Thought to its deepest dwelling-place! -'Tis past-and on my native shore I tread, a rebel son no more. Too blest, if yet my lot may be In glory's path to follow thee; If tears, by late repentance pour'd, May lave the blood-stains from my sword!" Far other tears, O Wallace! rise Hail and rejoice!-thy race shall claim Those visions o'er my thought have pass'd; And shadowy forms have met mine eye, And a deep voice of years to be Hath told that Scotland shall be free! He comes! exult, thou Sire of Kings! Art thou forgot? and hath thy worth The shrine where art and genius high The stranger comes: his eye explores Land of bright deeds and minstrel-lore ! Withhold that guerdon now no more. On some bold height of awful form, To rouse high hearts, and speak thy pride [These verses were thus critically noticed at the time of publication: "When we mentioned in the tent, that Mrs Hemans had authorised the judges who awarded to her the prize to send her poem to us, it is needless to say with what enthusiasm the proposal of reading it aloud was received on all sides; and at its conclusion thunders of applause crowned the genius of the fair poet. Scotland has her Baillie-Ireland her TigheEngland her Hemans."-Blackwood's Magazine, vol. v. Sept. 1819. "Mrs Hemans so soon again!-and with a palm in her hand! We welcome her cordially, and rejoice to find the high opinion of her genius which we lately expressed so unequivocally confirmed. "On this animating theme, (the meeting of Wallace and Bruce,) several of the competitors, we understand, were of the other side of the Tweed-a circumstance, we learn, which was known from the references before the prizes were determined. Mrs Hemans's was the first prize, against fifty-seven competitors. That a Scottish prize, for a poem on a subject purely, proudly Scottish, has been adjudged to an English candidate, is a proof at once of the perfect fairness of the award, and of the merit of the poem. It further demonstrates the disappearance of those jealousies which, not a hundred years ago, would have denied to such a candidate any thing like a fair chance with a native-if we can suppose any poet in the south then dreaming of making the trial, or viewing Wallace in any other light than that of an enemy, and a rebel against the paramount supremacy of England. We delight in every gleam of high feeling which warms the two nations alike, and ripens yet more that confidence and sympathy which bind them together in one great family."-Edin. Monthly Review, vol. ii. The estimation into which the poetry of Mr Hemans was rising at this time, (1819,) is indicated by the following passage, from a clever and not very lenient satire, entitled "Common Sense," then published, and currently believed to have emanated from the pen of the Rev. Mr Terrot, now Diocesan Bishop of Edinburgh. When alluding to the female writers of the age, Miss Baillie is the first mentioned and characterised. He then proceeds "Next I'd place Felicia Hemans, second in the race; I wonder the Reviews, who make such stir Oft about rubbish, never mention her. They might have said, I think, from mere good breeding- "Mrs Hemans," adds the critical satirist in a note, "is a lady, (a young lady, I believe,) of very considerable merit. Her imagination is vigorous, her language copious and elegant, her information extensive. I have no means of ascertaining the extent of her fame, but she certainly deserves well of the republic of letters." The worthy bishop has lived to read "The Records of Woman ;" and, we have no doubt, rejoices to know that the aspirant of 1819 has now taken her place among British classics.] 1 TALES AND HISTORIC SCENES. THE ABENCERRAGE. [The events with which the following tale is interwoven are related in the Historia de las Guerras Civiles de Granada. They occurred in the reign of Abo Abdeli, or Abdali, the last Moorish king of that city, called by the Spaniards El Rey Chico. The conquest of Granada, by Ferdinand and Isabella, is said by some historians to have been greatly facilitated by the Abencerrages, whose defection was the result of the repeated injuries they had received from the king, at the instigation of the Zegris. One of the most beautiful halls of the Alhambra is pointed out as the scene where so many of the former celebrated tribe were massacred; and it still retains their name, being called the "Sala de los Abencerrages." Many of the most interesting old Spanish ballads relate to the events of this chivalrous and romantic period.] "Le Maure ne se venge pas parce que sa colere dure encore, mais parce que la vengeance seul peut ecarter de sa tete le poids d'infamie dont il est accable.-Il se venge, parce qu'a ses yeux il n'y a qu'une ame basse qui puisse pardonner les affronts; et il nourrit sa rancune, parce que s'il la sentoit s'eteindre, il croiroit avec elle avoir perdu une vertu." SISMONDI. LONELY and still are now thy marble halls, Thou fair Alhambra! there the feast is o'cr; And with the murmur of thy fountain-falls Blend the wild tones of minstrelsy no more. Hush'd are the voices that in years gone by Have mourn'd, exulted, menaced, through thy towers; Within thy pillar'd courts the grass waves high, And all uncultured bloom thy fairy bowers. Unheeded there the flowering myrtle blows, Through tall arcades unmark'd the sunbeam smiles, And many a tint of soften'd brilliance throws And well might Fancy deem thy fabrics lone, For there no footstep treads th' enchanted ground, There not a sound the deep repose pervades, Save winds and founts, diffusing freshness round, Throughthe light domes and graceful colonnades. Far other tones have swell'd those courts along In days romance yet fondly loves to trace The clash of arms, the voice of choral song, The revels, combats of a vanish'd race. And yet awhile, at Fancy's potent call, Shall rise that race, the chivalrous, the bold; Peopling once more each fair forsaken hall With stately forms, the knights and chiefs of old. -The sun declines: upon Nevada's height There dwells a mellow flush of rosy light; Each soaring pinnacle of mountain snow Smiles in the richness of that parting glow, And Darro's wave reflects each passing dye That melts and mingles in th' empurpled sky. Fragrance, exhaled from rose and citron bower, Blends with the dewy freshness of the hour; Hush'd are the winds, and nature seems to sleep In light and stillness; wood, and tower, and steep, Are dyed with tints of glory, only given To the rich evening of a southern heavenTints of the sun, whose bright farewell is fraught | With all that art hath dreamt, but never caught. -Yes, Nature sleeps; but not with her at rest The fiery passions of the human breast. [sound, Hark! from th' Alhambra's towers what stormy Each moment deepening, wildly swells around? Those are no tumults of a festal throng, Not the light zambra1 nor the choral song: The combat rages-'tis the shout of war, 'Tis the loud clash of shield and scimitar. Within the Hall of Lions, where the rays Of eve, yet lingering, on the fountain blaze; There, girt and guarded by his Zegri bands, And stern in wrath, the Moorish monarch stands : There the strife centres-swords around him wave, There bleed the fallen, there contend the brave; While echoing domes return the battle-cry, "Revenge and freedom! let the tyrant die!" And onward rushing, and prevailing still, Court, hall, and tower the fierce avengers fill. But first and bravest of that gallant train, Where foes are mightiest, charging ne'er in vain; 1 Zambra, a Moorish dance. 2 The Hall of Lions was the principal one of the Alhambra, and was so called from twelve sculptured lions which supported an alabaster basin in the centre. They perish'd-not as heroes should have died, -Not such their fate: a tyrant's stern command Till the moon rises with her cloudless ray, Where lurks Abdallah?-midst his yielding train They seek the guilty monarch, but in vain. He lies not number'd with the valiant dead, His champions round him have not vainly bled; But when the twilight spread her shadowy veil, And his last warriors found each effort fail, In wild despair he fled-a trusted few, Kindred in crime, are still in danger true; And o'er the scene of many a martial deed, The Vega's green expanse, his flying footsteps lead. | He pass'd th' Alhambra's calm and lovely bowers, Where slept the glistening leaves and folded flowers In dew and starlight-there, from grot and cave, Gush'd in wild music many a sparkling wave; There on each breeze the breath of fragrance rose, And all was freshness, beauty, and repose. But thou, dark monarch! in thy bosom reign Storms that, once roused, shall never sleep again. Oh! vainly bright is nature in the course Of him who flies from terror or remorse ! A spell is round him which obscures her bloom, And dims her skies with shadows of the tomb; There smiles no Paradise on earth so fair But guilt will raise avenging phantoms there. Abdallah heeds not, though the light gale roves Fraught with rich odour, stolen from orange[rise, groves; Hears not the sounds from wood and brook that Wild notes of nature's vesper-melodies; Marks not how lovely, on the mountain's head, Moonlight and snow their mingling lustre spread; But urges onward, till his weary band, Worn with their toil, a moment's pause demand. He stops, and turning, on Granada's fanes In silence gazing, fix'd awhile remains In stern, deep silence: o'er his feverish brow, And burning cheek, pure breezes freshly blow, But waft in fitful murmurs, from afar, Sounds indistinctly fearful-as of war. What meteor bursts with sudden blaze on high, O'er the blue clearness of the starry sky? Awful it rises, like some Genie-form, Seen midst the redness of the desert storm, Magnificently dread-above, below, Spreads the wild splendour of its deepening glow. 2 The Vega, the plain surrounding Granada, the scene of frequent actions between the Moors and Christians. 3 An extreme redness in the sky is the presage of the Simoom.-See BRUCE's Travels. Lo! from the Alhambra's towers the vivid glare Oh Heaven! the anguish of Abdallah's soul, The rage, though fruitless, yet beyond control! Yet must he cease to gaze, and raving fly For life-such life as makes it bliss to die! On yon green height, the mosque, but half reveal'd Through cypress-groves, a safe retreat may yield. Thither his steps are bent-yet oft he turns, Watching that fearful beacon as it burns. But paler grow the sinking flames at last, Flickering they fade, their crimson light is past; And spiry vapours, rising o'er the scene, Mark where the terrors of their wrath have been. And now his feet have reach'd that lonely pile, Where grief and terror may repose awhile; Embower'd it stands, midst wood and cliff on high, Through the gray rocks a torrent sparkling nigh: He hails the scene where every care should cease, And all-except the heart he brings-is peace. There is deep stillness in those halls of state Where the loud cries of conflict rang so late; Stillness like that, when fierce the Kamsin's blast Hath o'er the dwellings of the desert pass'd.1 Fearful the calm-nor voice, nor step, nor breath Disturbs that scene of beauty and of death: Those vaulted roofs re-echo not a sound, Save the wild gush of waters-murmuring round 1 of the Kamsin, a hot south wind, common in Egypt, we have the following account in Volney's Travels:-" These winds are known in Egypt by the general name of the winds of fifty days, because they prevail more frequently in the fifty days preceding and following the equinox. They are mentioned by travellers under the name of the poisonous winds or hot winds of the desert: their heat is so excessive, that it is difficult to form any idea of its violence without having experienced it. When they begin to blow, the sky, at other times so clear in this climate, becomes dark and heavy; the sun loses his splendour, and appears of a violet colour; the air is not cloudy, but gray and thick, and is filled with a subthe dust, which penetrates every where: respiration becomes short and difficult, the skin parched and dry, the lungs are contracted and painful, and the body consumed with internal heat. In vain is coolness sought for; marble, iron, water, though the sun no longer appears, are hot: the streets are deserted, and a dead silence pervades every where. The natives of towns and villages shut themselves up in their houses, and those of the desert in tents, or holes dug in the earth, where they wait the termination of this heat, which generally lasts three days. Woe to the traveller whom it surprises remote from shelter: he must suffer all its dreadful effects, which are sometimes mortal." In ceaseless melodies of plaintive tone, But slowly fade the stars--the night is o'erMorn beams on those who hail her light no more; Slumberers who ne'er shall wake on earth again, Mourners, who call the loved, the lost, in vain. Yet smiles the day-oh! not for mortal tear Doth nature deviate from her calm career: Nor is the earth less laughing or less fair, Though breaking hearts her gladness may not share. O'er the cold urn the beam of summer glows, O'er fields of blood the zephyr freshly blows; Bright shines the sun, though all be dark below, And skies arch cloudless o'er a world of woe; And flowers renew'd in spring's green pathway bloom, Alike to grace the banquet and the tomb. Within Granada's walls the funeral rite Attends that day of loveliness and light; And many a chief, with dirges and with tears, Is gather'd to the brave of other years: And Hamet, as beneath the cypress shade His martyr'd brother and his sire are laid, Feels every deep resolve and burning thought Of ampler vengeance e'en to passion wrought; Yet is the hour afar-and he must brood O'er those dark dreams awhile in solitude. Tumult and rage are hush'd-another day In still solemnity hath pass'd away, In that deep slumber of exhausted wrath, The calm that follows in the tempest's path. And now Abdallah leaves yon peaceful fane, His ravaged city traversing again. No sound of gladness his approach precedes, No splendid pageant the procession leads; Where'er he moves the silent streets along, Broods a stern quiet o'er the sullen throng. |