Xavier University Studies, Volumen1Xavier University (New Orleans, La.), 1961 |
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Página 241
... examples are taken from : Arnold Schoenberg , " Praeludium , " Suite für Klavier , Op . 25 , Universal Edition ( Zurich , 1952 ) . Adolfo Salazar , Music in Our Time ( New York , the retrograde ( read backwards ) in example C , - - - 241 .
... examples are taken from : Arnold Schoenberg , " Praeludium , " Suite für Klavier , Op . 25 , Universal Edition ( Zurich , 1952 ) . Adolfo Salazar , Music in Our Time ( New York , the retrograde ( read backwards ) in example C , - - - 241 .
Página 242
... Example No. 2 shows the use of this grouping in the Praeludium from Schoenberg's suite . In example No. 3 the tone - row used by Alban Berg ( 1885- 1935 ) in his opera Lulu is shown with the grouping used ( A ) . Berg unites the triplet ...
... Example No. 2 shows the use of this grouping in the Praeludium from Schoenberg's suite . In example No. 3 the tone - row used by Alban Berg ( 1885- 1935 ) in his opera Lulu is shown with the grouping used ( A ) . Berg unites the triplet ...
Página 260
... example of Frau Reinach's heroic acceptance when Dr. Reinach of Goettingen was killed on the field of battle in 1917. Frau Reinach , who with her husband had belonged to a group which had gathered around Dr. Husserl called on Edith to ...
... example of Frau Reinach's heroic acceptance when Dr. Reinach of Goettingen was killed on the field of battle in 1917. Frau Reinach , who with her husband had belonged to a group which had gathered around Dr. Husserl called on Edith to ...
Contenido
R Stelzmann The Theology of T S Eliots | 185 |
R Kramer Five Modern German Poems 18 | 204 |
Sr Consuela Marie Merton or Toynbee 34 | 275 |
Otras ediciones - Ver todas
Xavier University Studies, Volúmenes5-7 Xavier University (New Orleans, La.) Vista de fragmentos - 1966 |
Términos y frases comunes
Arnold Schoenberg artistic audience Avegno beauty become Bernanos Blessed Sacrament Canon Schwind Celia character chromatic scale Cocktail Party composers Confidential Clerk congruous contemporary critics dark death dissonance divine Donne Donne's dramatic duration Edith Stein elements of form Elinor Wylie elves emotional Ernst Křenek Eucharistic experience feeling fences Frost Georg Heym grace Harry Harry's Herbert Read Heym human imagery images imagination inner intellectual lines literary living love a wall lover mankind Mary Mending Wall Merton metaphysical mind modern Murder novel observable fact outer elements Pasternak's person philosophical physical play poem poet poetic poetry Rainulf reader rhythm Rilke saints savage armed Schoenberg sense serial technique Sir Claude Sisters Speyer spiritual Stelzmann stress surprise symbolic T. S. Eliot theology thought tion tonal tone-row tones Toynbee truth Twelve-Tone Technique unifying unity Wallace Stevens William Empson Willy wish and desire Wishwood words XAVIER UNIVERSITY STUDIES York Zhivago