Xavier University Studies, Volumen1Xavier University (New Orleans, La.), 1961 |
Dentro del libro
Resultados 1-3 de 4
Página 227
... observable fact is that the statement " something doesn't love a wall " is not an innocuous prose line . The observable fact of the destructibility of walls loses its neutral note with the introduction of the emotional yet ...
... observable fact is that the statement " something doesn't love a wall " is not an innocuous prose line . The observable fact of the destructibility of walls loses its neutral note with the introduction of the emotional yet ...
Página 228
... observable fact is congruous to the initial theme . Then comes the integration of the emotional , the element of " surprise " caused by " swell , " for this word , while trans- latable in ordinary parlance , finds that the emotional ...
... observable fact is congruous to the initial theme . Then comes the integration of the emotional , the element of " surprise " caused by " swell , " for this word , while trans- latable in ordinary parlance , finds that the emotional ...
Página 229
... observable fact of farming to which to react . In the first two lines " love " and " swell " are in opposition to " frozen " and " ground " ; the latter two terms represent the units which conserve , which are tra- ditional ; the first ...
... observable fact of farming to which to react . In the first two lines " love " and " swell " are in opposition to " frozen " and " ground " ; the latter two terms represent the units which conserve , which are tra- ditional ; the first ...
Contenido
R Stelzmann The Theology of T S Eliots | 185 |
R Kramer Five Modern German Poems 18 | 204 |
Sr Consuela Marie Merton or Toynbee 34 | 275 |
Otras ediciones - Ver todas
Xavier University Studies, Volúmenes5-7 Xavier University (New Orleans, La.) Vista de fragmentos - 1966 |
Términos y frases comunes
Arnold Schoenberg artistic audience Avegno beauty become Bernanos Blessed Sacrament Canon Schwind Celia character chromatic scale Cocktail Party composers Confidential Clerk congruous contemporary critics dark death dissonance divine Donne Donne's dramatic duration Edith Stein elements of form Elinor Wylie elves emotional Ernst Křenek Eucharistic experience feeling fences Frost Georg Heym grace Harry Harry's Herbert Read Heym human imagery images imagination inner intellectual lines literary living love a wall lover mankind Mary Mending Wall Merton metaphysical mind modern Murder novel observable fact outer elements Pasternak's person philosophical physical play poem poet poetic poetry Rainulf reader rhythm Rilke saints savage armed Schoenberg sense serial technique Sir Claude Sisters Speyer spiritual Stelzmann stress surprise symbolic T. S. Eliot theology thought tion tonal tone-row tones Toynbee truth Twelve-Tone Technique unifying unity Wallace Stevens William Empson Willy wish and desire Wishwood words XAVIER UNIVERSITY STUDIES York Zhivago