Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's TheatreRobert Weimann redefines the relationship between writing and performance, or "playing," in Shakespeare's theater. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theater, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays as well as other contemporary works. A major part of the study explores the duality between playing and writing. |
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Contenido
Performance and authority in Hamlet 1603 | 18 |
A new agenda for authority | 29 |
The low and ignorant crust of corruption | 31 |
Towards a circulation of authority in the theatre | 36 |
distraction in authority | 43 |
Pen and voice versions of doubleness | 54 |
Frivolous jestures vs matter of worthiness Tamburlaine | 56 |
Bifold authority in Troilus and Cressida | 62 |
Renaissance writing and common playing | 153 |
Unworthy antics in the glass of fashion | 161 |
When in one line two crafts directly meet | 169 |
Wordplay and the mirror of representation | 174 |
Space individable locus and platea revisited | 180 |
the locus | 182 |
provenance and function | 192 |
Locus and platea in Macbeth | 196 |
Unworthy scaffold for so great an object Henry V | 70 |
Playing with a difference | 79 |
To disfigure or to present A Midsummer Nights Dream | 80 |
To descant on difference and deformity Richard III | 88 |
The selfresembled show | 98 |
Presentation or the performant function | 102 |
Histories in Elizabethan performance | 109 |
Disparity in midElizabethan theatre history | 110 |
Reforming a whole theatre of others Hamlet | 121 |
From common player to excellent actor | 131 |
Differentiation exclusion withdrawal | 136 |
Hamlet and the purposes of playing | 151 |
Banqueting in Timon of Athens | 208 |
Shakespeares endings commodious thresholds | 216 |
Epilogues vs closure | 220 |
holiday into workaday | 226 |
Thresholds to memory and commodity | 234 |
cultural authority betwixtandbetween | 240 |
thresholds forever after | 246 |
Notes | 251 |
List of works cited | 269 |
| 289 | |
Otras ediciones - Ver todas
Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre Robert Weimann Sin vista previa disponible - 2000 |
Términos y frases comunes
acting action actors actually appears audience authority body called century character common constitute context continued course criticism cultural deformity difference differentiation discourse disfigurement distinct doubleness dramatic early modern effect element Elizabethan England entirely epilogue especially figure finally force function further Hamlet hand helps holy imaginary important John language least less lines localized locus marked material matter meaning memory mirror mode notes performance performance practice perhaps phrase platea players playhouse poetics political popular position practice present production provides purpose of playing question reading recent reference relations remains Renaissance representation represented response result rhetoric role scene seems sense serves Shakespeare's signifying social space spectators speech stage story strength suggest symbolic textual theatre theatrical thing threshold tion traditional turn verbal voice writing
Referencias a este libro
Maps and Memory in Early Modern England: A Sense of Place Rhonda Lemke Sanford Sin vista previa disponible - 2002 |
Información bibliográfica
| Título | Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre Volumen39 de Cambridge Studies in Renaissance Literature and Culture |
| Autor | Robert Weimann |
| Editores | Helen Higbee, William N. West, William West |
| Edición | ilustrada |
| Editor | Cambridge University Press, 2000 |
| ISBN | 0521787351, 9780521787352 |
| Largo | 298 páginas |
| Exportar cita | BiBTeX EndNote RefMan |