X: Writings ’79–’82Wesleyan University Press, 01.01.2012 - 212 Seiten One of a series of experimental texts in which Cage tries “to find a way of writing which comes from ideas, is not about them, but which produces them,” he attempts in X to create looser structures in both life and art, to free “my writing from my intentions.” |
Inhalt
1 | |
There is not much difference between the two Suzuki Daisetz | 51 |
An Alphabet | 55 |
Another Song | 103 |
Writing through the Cantos | 109 |
Untitled | 117 |
B W 19161979 | 119 |
Composition in Retrospect | 123 |
For her first exhibition with love | 153 |
How to Improve the World You Will Only Make Matters Worse Continued 19731982 | 155 |
Wishful Thinking | 171 |
Muoyce Writing for the Fifth Time through Finnegans Wake | 173 |
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Häufige Begriffe und Wortgruppen
4-dimensional figure 4-dimensional solid alphabet asked Aunt Sadie beginning bird Buckminster Fuller calcutta chance operations Compluvium composed Composition in Retrospect Cunningham curtain David Tudor delighted dictionary Erik Satie Ezra Pound film Finnegans Wake following text Furniture Music ghost give goes happens hear heard Henry David Thoreau intentionally left blank isou James Joyce Japan Japanese John Cage Joyce Joyce's Jump leaves letter light look Louis Mink Louis Zukofsky Marcel Duchamp Marshall McLuhan melody mesostics microtoNal mind morning moving Muoyce musicians Never stops night photograph piano plane play possible Puerto Rico says schoenberg shell silence sitting sleep Song sound space spangles speak street SUZUKI DAISETZ telephone rings tell there's thing Thoreau tion told tone took tree walk Wesleyan University Press woods words write written wrote