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Página 236
... Petrarch and images of Laura and the Vaucluse . While its melody is falling on the ear , we are too often overtaken with a kind of misgiving that we are listening to the rich music of , indeed , our own mother - tongue , but tuned to a ...
... Petrarch and images of Laura and the Vaucluse . While its melody is falling on the ear , we are too often overtaken with a kind of misgiving that we are listening to the rich music of , indeed , our own mother - tongue , but tuned to a ...
Página 241
... Italian or Provençal in its origin would not be pertinent at present to discuss . Its date is anterior to Petrarch , though , from the fact that it VOL . II . 16 was developed and rendered more popular by him , it ENGLISH SONNETS . 241.
... Italian or Provençal in its origin would not be pertinent at present to discuss . Its date is anterior to Petrarch , though , from the fact that it VOL . II . 16 was developed and rendered more popular by him , it ENGLISH SONNETS . 241.
Página 243
... Petrarch , like De Gama , may have all the fame of dis- covery , but we yield nothing of long - maintained posses- sion and of present title . We claim our ancient English rights of sailing on the wide sea wherever the winds may carry ...
... Petrarch , like De Gama , may have all the fame of dis- covery , but we yield nothing of long - maintained posses- sion and of present title . We claim our ancient English rights of sailing on the wide sea wherever the winds may carry ...
Página 244
... Petrarch before Surrey . A seed from this Southern plant has been sown in the soil of English literature , and , exposed to all the inclemency of a Northern climate , it has been followed by a growth as vigorous and flourish- ing as the ...
... Petrarch before Surrey . A seed from this Southern plant has been sown in the soil of English literature , and , exposed to all the inclemency of a Northern climate , it has been followed by a growth as vigorous and flourish- ing as the ...
Página 246
... Petrarch's wound ; A thousand times this pipe did Tasso sound ; Camoens soothed with it an exile's grief ; The sonnet glittered a gay myrtle - leaf Amid the cypress with which Dante crowned His visionary brow ; a glowworm lamp , It ...
... Petrarch's wound ; A thousand times this pipe did Tasso sound ; Camoens soothed with it an exile's grief ; The sonnet glittered a gay myrtle - leaf Amid the cypress with which Dante crowned His visionary brow ; a glowworm lamp , It ...
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Términos y frases comunes
admiration ALONZO POTTER ancient auld bard beautiful beneath bonny bonny Dundee breath bright Burns Byron's character Charles Lamb child Christabel Coleridge's criticism dark dead dear deep delight descriptive poetry early earth Edmund Spenser emotion English poetry fame fancy feeling frae French Revolution friends genius gentle glory happy Hartley Coleridge hath heart heaven HENRY REED honour human imagination Jansenists Johnson language lecture light literary literature living look Lord lyrical poetry melody memory Milton mind minstrelsy moral nature never night o'er pass passage passion Petrarch poem poet poet's poetic Pope prose QUESNEL reader Samuel Taylor Coleridge Scott Scottish sense sentiment Shakspeare song sonnet soul sound Southey Southey's Spenser spirit stanzas strain strong sweet sympathy taste Thalaba thee thing thou thought tion true truth utterance verse voice volume words Wordsworth writings youth
Pasajes populares
Página 123 - Alas ! they had been friends in youth ; But whispering tongues can poison truth; And constancy lives in realms above; And life is thorny; and youth is vain; And to be wroth with one we love Doth work like madness in the brain.
Página 262 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Página 118 - Christ! what saw I there! Each corse lay flat, lifeless, and flat, And, by the holy rood! A man all light, a seraph-man, On every corse there stood. This seraph-band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph-band, each waved his hand, No voice did they impart — No voice; but oh!
Página 120 - There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky.
Página 260 - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
Página 195 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Página 115 - The moving Moon went up the sky, And nowhere did abide; Softly she was going up, And a star or two beside...
Página 33 - Unskilful he to note the card Of prudent lore, Till billows rage, and gales blow hard, And whelm him o'er! Such fate to suffering worth is...
Página 113 - All in a hot and copper sky, The bloody Sun, at noon, Right up above the mast did stand, No bigger than the Moon. Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean.
Página 264 - That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.