Shakespeare, the Roman PlaysHollis & Carter, 1963 - 288 páginas |
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Página 111
... ready as themselves to take a gesture for a reality , to dismiss with careless ease the grounds of the very quarrel ... ready to ascribe his own failing to the machinations of others , working upon him when poison'd hours had bound me up ...
... ready as themselves to take a gesture for a reality , to dismiss with careless ease the grounds of the very quarrel ... ready to ascribe his own failing to the machinations of others , working upon him when poison'd hours had bound me up ...
Página 232
... ready to add in justice that the ' love ' which the crowd demands as its right is habitually offered in calculating flattery - ' there have been many great men that have flatter'd the people who ne'er loved them ' and accepted in ...
... ready to add in justice that the ' love ' which the crowd demands as its right is habitually offered in calculating flattery - ' there have been many great men that have flatter'd the people who ne'er loved them ' and accepted in ...
Página 282
... ready to discard him to meet the fate which he has brought upon his own head . The last broken apostrophe : ' O mother ! wife ! ' shows a man groping among the ruin of the intimate feelings so recently , and to such bitter ends ...
... ready to discard him to meet the fate which he has brought upon his own head . The last broken apostrophe : ' O mother ! wife ! ' shows a man groping among the ruin of the intimate feelings so recently , and to such bitter ends ...
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Términos y frases comunes
action affirmation Antony and Cleopatra Antony's appeal assertion attitude Aufidius balance blood Brutus Caesar Cassius Charmian Cominius confirms contemplate contrast Coriolanus cynicism death decision Decius dramatic effect Egypt elements emotion enemies Enobarbus episode exaltation exchange expression eyes fact feeling finally follows force fortunes friends Fulvia generosity gesture gods hath heart hero hero's honour human illusion implied imposes intensity intimate irony judgement Julius Caesar King Lear lead Lepidus Macbeth Marcius Mark Antony Menenius mood moral nature nobility noble Octavius once outburst passion patra patrician phrase play play's plea Plutarch poetry political Pompey present reaction ready realism reality reflection reply resolution response revealing rhetorical rival Roman Rome ruin scene seeks sense Shakespeare shame Sicinius situation speak speaker's speech spirit stresses thee thou tion tragedy tragic tribunes true truth turn typical unnatural utterance Volscian Volumnia weakness whilst words