SCENE III.—The same. Before the Palace. Enter two Soldiers, to their guard. 1 SOLD. Brother, good night: to-morrow is the day. 2 SOLD. It will determine one way: fare you well. Heard you of nothing strange about the streets? 1 Sold. Nothing. What news? 2 SOLD. Belike 't is but a rumour. Good night to you. 1 SOLD. Well, sir, good night. Enter two other Soldiers. 2 SOLD. Soldiers, Have careful watch. 3 SOLD. And you. Good night, good night. [The first and second go to their posts. 4 SOLD. Here we: [Taking their posts.] and if to-morrow Our navy thrive, I have an absolute hope Our landmen will stand up. 3 SOLD). 'Tis a brave army, And full of purpose. [Music of hautboys under the stage. 4 SOLD. Peace! what noise? 1 SOLD. List, list! 2 SOLD. Hark! 1 Sold. Music i' the air! 3 SOLD. Under the earth! 4 SOLD. It signs a well. 3 SOLD. No. 2 SOLD. "Tis the god Hercules, whom Antony lov'd, Walk; let's see if other watchmen Do hear what we do. [They advance to another post. 2 SOLD. masters ? SOLDIERS. [Speaking together.] How now? How now? do you hear this? 1 SOLD. Ay; is 't not strange? 3 SOLD. Do you hear, masters ? do you hear? 1 SOLD. Follow the noise so far as we have quarter; Let's see how 't will give off. SOLDIERS. [Speaking together.] Content: 't is strange. Ereunt. How now, SCENE IV.-The same. A Room in the Palace. Enter ANTONY and CLEOPATRA; CHARMIAN, IRAs, and others, atlending. ANT. Eros! mine armour, Eros ! • It signs well,-) It is a good sign, an auspicious omen. CLEO. Sleep a little. Enter EROS with armour. Nay, I'll help too. Ah, let be, let be! thou art Cleo. Sooth, la, I'll help: thus it must be.a Well, well: Briefly, sir. Rarely, rarely; Enter an Officer armed. Good morrow to thee; welcome: A thousand, sir, Enter other Officers, and Soldiers. 'Tis well blown, lads : [Kisses her. (*) Old text, thine ; corrected by Johnson. (+) First folio, Alex. thus it must be.] This and the two preceding speeches stand thus in the old copies, “Cleo. Nay, Ile helpe too, Anthony. What's this for? Ah let be, let be, thou art Sooth-law Ile helpe: Thus it must bee,” and were correctly arranged by Hanmer and Malone. a : And worthy shameful check it were, to stand [Exeunt ANTONY, Eros, Officers, and Soldiers. CHAR. Please you, retire to your chamber? CLEO. Lead me. [Exeunt. SCENE V.-Antony's Camp near Alexandria. Trumpets sound. Enter ANTONY and Eros; an Officer meeting them. OFF.* The gods make this a happy day to Antony ! Ant. Would thou and those thy scars had once prevail'd Hadst thou done so, Who's gone this morning ? Who! Vhat say'st thou ? Sir, Sir, his chests and treasure Is he gone? Most certain. | Ereunt. SCENE VI.—Cæsar's Camp before Alexandria. CÆs. Go forth, Agrippa, and begin the fight: [Exit. (*) First folio, Eros. CÆs. The time of universal peace is near : Prove this a prosperous day, the three-nook'd world Shall bear the olive freely. Enter a Messenger. Antony Go, charge Agrippa [Exeunt all crcept ENOBARBUS. Exo. Alexas did revolt; and went to Jewry on Affairs of Antony; there did persuade* Great Herod to incline himself to Cæsar, And leave his master Antony: for this pains, Cæsar hath hang'd him. Canidius, and the rest That fell away, have entertainment, but No honourable trust. I have done ill; Of which I do accuse myself so sorely, That I will joy no more. Enter a Soldier of CÆSAR'S. Enobarbus, Antony Eno. I give it you. Mock not, Enobarbus. [Erit. Eno. I am alone the villain of the earth, And feel I am so most. O, Antony, Thou mine of bounty, how wouldst thou have paid My better service, when my turpitude Thou dost so crown with gold! This blows my heart : If swift thought break it not, a swifter mean Shall outstrike thought: but thought) will do't, I feel. I fight against thee!-No: I will go seek Some ditch wher:in to die; the foul'st best fits My latter part of life. [Erit. SCENE VII.--Field of Battle between the Camps. Alarum. Drums and trumpets. Enter AGRIPPA and others. AGR. Retire! we have engag'd ourselves too far: (*) First folio, dissuade. blowg-) Swells. u – thought-] “ Thought,” as Malone remarks, “ in this passage means melancholy.' [E.ceunt. Cæsar himself has work, and our oppression Alurum. Enter ANTONY, and SCARUS wounded. Thou bleed’st apacc. They do retire. Enter EROS. Let us score their backs, I will reward thee I'll halt after. [Ereunt. SCENE VIII.—Under the Walls of Alexandria. Enter CLEOPATRA, attended. - an .] The same play (if any were intended here) on I and ache occurs in • Much Ado About Nothing," Act III. Sc. 4. our gests.--] Our exploits. So Theobald. The old copies have guests. b |