Source Readings in Music HistoryW. W. Norton & Company, 1998 - 1552 páginas Forty-five years after the appearance of the first edition, Oliver Strunk's monumental anthology of writings about music has been thoroughly revised and extended by a team of scholars working under the direction of musicologist Leo Treitler. For this new edition, seven specialists in music history have replaced some selections, added others, contributed new translations, and provided additional notes and introductions. An entire new section, covering the twentieth century, significantly enlarges the book's scope. Readers can now acquire a comprehensive picture of Western musical thought and ideas through the ages. |
Contenido
INTRODUCTION | 3 |
Plato FROM THE Republic | 9 |
Plato FROM THE Timaeus | 19 |
Aristides Quintilianus FROM On Music | 47 |
Gaudentius Harmonic Introduction | 66 |
Bartolomé de Segovia? FROM Relation of Many Occurrences | 78 |
Athenaeus FROM THE Sophists at Dinner | 85 |
131 | 106 |
Charles Fonton FROM Essay on Oriental Music Compared | 721 |
GLOSSARY OF FOREIGN PERFORMANCE TERMS | 731 |
INTRODUCTION | 737 |
Johann Philipp Kirnberger FROM The Art of Strict Musical | 762 |
Heinrich Christoph Koch FROM Introductory Essay | 777 |
Heinrich Christoph Koch FROM Introductory Essay | 807 |
Francesco Galeazzi FROM TheoreticalPractical Elements | 819 |
JérômeJoseph de Momigny FROM A Complete Course | 826 |
INTRODUCTION | 113 |
Richard Ligon FROM A True Exact History of the Island | 118 |
St Basil FROM Homily on the First Psalm | 121 |
St Jerome FROM Commentary on the Epistle of Paul | 127 |
Daniel Gottlob Türk FROM School of Clavier Playing | 132 |
MUSIC AS A LIBERAL ART | 135 |
Boethius FROM Fundamentals of Music | 137 |
Cassiodorus FROM Fundamentals of Sacred and Secular Learning | 143 |
Isidore of Seville FROM THE Etymologies | 149 |
CHANT AND LITURGY IN THE EARLY MIDDLE AGES | 157 |
St Benedict FROM THE Rule of St Benedict | 159 |
PseudoGermanus Exposition of the Ancient Gallican Liturgy | 164 |
Anonymous 8th Century Ordo romanus XVII | 171 |
Helisachar Letter to Archbishop Nidibrius of Narbonne | 176 |
John the Deacon FROM Life of Gregory the Great | 178 |
The Monk of St Gall FROM Life of the Emperor Charles the Great | 181 |
To the Prelates of Mainz | 183 |
MUSIC THEORY AND PEDAGOGY IN THE MIDDLE AGES | 187 |
Anonymous 9th Century FROM THE Musica enchiriadis | 189 |
Ethel Smyth FROM Streaks of Life 1411 | 194 |
Anonymous 10th Century FROM THE Alia musica | 196 |
PseudoOdo of Cluny Dialogue on Music | 198 |
Guido of Arezzo Prologue to His Antiphoner | 211 |
Guido of Arezzo Epistle Concerning an Unknown Chant | 214 |
Anonymous 13th Century Discantus positio vulgaris | 218 |
Johannes de Garlandia FROM De musica mensurabili | 223 |
Franco of Cologne Ars cantus mensurabilis | 226 |
Aegidius of Zamora FROM Ars musica | 245 |
Marchetto of Padua FROM Pomerium in arte musicae mensuratae | 251 |
Jehan des Murs FROM Notitia artis musicae | 261 |
Jacques of Liège FROM Speculum musicae | 269 |
INTRODUCTION | 281 |
Johannes Tinctoris Proportionale musicesDedication | 291 |
Pierre de Ronsard Livre des mélangesDedication | 300 |
Guillaume Du Fay Letter to Piero and Giovanni | 311 |
Vincenzo Calmeta FROM Life of the Fertile Vernacular Poet | 321 |
Francis I King of France Royal Privilege for Music | 330 |
Maddalena Casulana The First Book of Madrigals for Four | 336 |
Balthasar de Beaujoyeulx FROM Le balet comique | 342 |
Vincenzo Giustiniani FROM Discourse on the Music of | 352 |
Martin Luther Wittemberg GesangbuchForeword | 361 |
Claude Goudimel The Geneva PsalterForeword to | 367 |
Giovanni Pierluigi da Palestrina Second Book of Masses | 373 |
Marsilio Ficino FROM Three Books on Life | 385 |
Pontus de Tyard FROM First Solitaire or Prose on the Muses | 395 |
Johannes Tinctoris FROM Liber de arte contrapuncti | 401 |
Bartolomé Ramis de Pareia FROM Musica practica | 407 |
Heinrich Glarean FROM Dodecachordon | 428 |
Gioseffo Zarlino FROM Istitutioni harmoniche | 436 |
Vincenzo Galilei FROM Dialogue on Ancient and Modern | 462 |
Pietro Pontio FROM Ragionamento di musica | 472 |
Thomas Morley FROM A Plaine and Easie Introduction | 479 |
Girolamo Mei Letter to Vincenzo Galilei | 485 |
Fray Toribio de Benavente called Motolinia FROM Memoranda | 496 |
Filippo Pigafetta and Duarte Lopez FROM Relation on | 502 |
INTRODUCTION | 511 |
Pietro de Bardi Letter to Giovanni Battista Doni | 523 |
Claudio and Giulio Cesare Monteverdi Explanation of | 535 |
Pietro della Valle FROM Of the Music of Our Time | 544 |
Pierfrancesco Tosi FROM Observations on the Florid | 552 |
Francesco Coli FROM Pallade veneta | 562 |
Geronimo Lappoli and Anna Renzi Contract for the 1644 | 569 |
AlexandreToussaint Limojon Sieur de SaintDidier FROM | 575 |
Guillaume Dumanoir FROM Statutes of the Masters of Dance | 582 |
Roger North FROM Notes of Me | 588 |
99 | 605 |
op 12 | 617 |
Anonymous FROM The Choragus or Some Observations | 629 |
Christopher Simpson FROM The DivisionViol or The Art | 635 |
Georg Muffat FROM Prefaces to Florilegia | 644 |
IMITATION AND EXPRESSION | 659 |
Jacopo Peri Preface to The Music for Euridice | 665 |
112 | 675 |
Joseph Addison FROM The Spectator | 683 |
JeanPhilippe Rameau FROM Treatise on Harmony | 691 |
Athanasius Kircher FROM Musurgia universalis or The Great | 708 |
Carl Philipp Emanuel Bach FROM Essay on the Proper | 851 |
CRITICAL VIEWS OF FRENCH AND ITALIAN OPERA | 893 |
Francesco Algarotti FROM An Essay on the Opera | 909 |
JeanJacques Rousseau FROM Essay on the Origin | 945 |
Johann Jakob Engel FROM On Painting in Music | 970 |
142 | 980 |
Hester Lynch Piozzi | 986 |
Susannah Burney FROM LetterJournal 177980 | 1000 |
Johann Nikolaus Forkel FROM A General History | 1012 |
Johann Friedrich Reichardt FROM Personal Letters Written | 1030 |
INTRODUCTION | 1045 |
Jean Paul FROM Elementary Course in Aesthetics | 1056 |
Margaret Fuller FROM Lives of the Great Composers | 1072 |
George Eliot FROM Daniel Deronda | 1076 |
THE MUSIC OF THE FUTURE | 1083 |
Giuseppe Mazzini FROM Philosophy of Music | 1085 |
Richard Wagner FROM The Artwork of the Future | 1094 |
Adolf Bernhard Marx FROM The Music of the Nineteenth Century | 1112 |
MUSIC CRITICISM | 1121 |
FrançoisJoseph Fétis The Concert of Monsieur Chopin from Warsaw | 1123 |
Hector Berlioz Rossinis William Tell | 1125 |
Robert Schumann FROM Davidsbündlerblätter | 1141 |
Franz Liszt and Carolyne von SaynWittgenstein FROM Berlioz and His Harold Symphony | 1159 |
John Sullivan Dwight The National Peace Jubilee | 1175 |
MUSICAL MEANING AND EXPRESSION | 1191 |
E T A Hoffmann Beethovens Instrumental Music | 1193 |
MarcAndré Souchay and Felix Mendelssohn An Exchange of Letters | 1198 |
Eduard Hanslick FROM Vom MusikalischSchönen | 1202 |
Edmund Gurney FROM The Power of Sound | 1211 |
MUSIC THEORY AND PEDAGOGY | 1221 |
Adolf Bernhard Marx FROM The Theory of Musical Composition | 1223 |
Hermann Helmholtz FROM On the Sensations of Tone | 1231 |
Amy Fay FROM MusicStudy in Germany | 1240 |
MUSICAL ENCOUNTERS | 1247 |
Antonín Dvořák Music in America | 1249 |
Frederick Douglass FROM My Bondage and My Freedom | 1258 |
Richard Wallaschek FROM Primitive Music | 1262 |
Edited by ROBERT P MORGAN | 1271 |
INTRODUCTION | 1273 |
ESTHETIC POSITIONS | 1281 |
Arnold Schoenberg Two Letters to Ferruccio Busoni | 1283 |
Jean Cocteau FROM Cock and Harlequin | 1290 |
Igor Stravinsky FROM Poetics of Music | 1294 |
John Cage Experimental Music | 1300 |
Milton Babbitt Who Cares if You Listen? | 1305 |
Evan Ziporyn Who Listens if You Care? | 1311 |
EXPANDED SONIC RESOURCES | 1319 |
Ferruccio Busoni FROM Sketch of a New Esthetic of Music | 1321 |
Luigi Russolo The Art of Noises | 1328 |
Charles Ives Music and Its Future | 1334 |
Edgard Varèse The Liberation of Sound | 1339 |
Pierre Boulez Tendencies in Recent Music | 1346 |
COMPOSITIONAL APPROACHES | 1353 |
Arnold Schoenberg FROM Composition with Twelve Tones | 1355 |
Karlheinz Stockhausen FROM The Concept of Unity in Electronic Music | 1366 |
Iannis Xenakis Free Stochastic Music | 1371 |
György Ligeti FROM Metamorphoses of Musical Form | 1376 |
Steve Reich FROM Writings about Music | 1385 |
MUSIC SOCIETY POLITICS | 1391 |
Kurt Weill Shifts in Musical Production | 1393 |
Joseph Goebbels Speech for the Düsseldorf Music Festival | 1395 |
Pravda Chaos Instead of Music | 1397 |
Sergey Prokofiev Three Commentaries | 1399 |
Dmitri Shostakovich FROM Testimony | 1402 |
Marian Anderson FROM My Lord What a Morning | 1406 |
Draft Constitution | 1409 |
William Grant Still FROM Horizons Unlimited | 1421 |
Béla Bartók FROM Two Articles on the Influence of Folk | 1436 |
Bruno Nettl FROM Mozart and the Ethnomusicological Study | 1449 |
Theodor W Adorno FROM A Social Critique of Radio | 1464 |
Erik Satie FROM Memoirs of an Amnesiac | 1485 |
Umberto Eco FROM The Poetics of the Open Work | 1499 |
| 1515 | |
| 1551 | |
Otras ediciones - Ver todas
Términos y frases comunes
according ancient antiphon Aristides Quintilianus Aristotle Aristoxenus ascending auloi beginning Boethius breve called cantus century chant church cithara Cleonides composed composition consonances counterpoint delight descending diapason diapente diatessaron diatonic diezeugmenon discant dissonant divine division Dorian example fifth figures fourth Giovanni Greek harmonia Harmonic Introduction harmony hexachord hymns hypate hypaton hyperbolaion Hypodorian imperfect instruments intervals James McKinnon Josquin Latin letter lichanos ligature Lord Lydian madrigals manner means measure melody mese meson mode modern modulation motet music theory musicians nature nete notes octave Oliver Strunk paranete parhypate perfect Phrygian pitch plainsong Plato played polyphonic praise priest proper proslambanomenos psalms reason rhythm Rome semibreves semitone Sextus Empiricus singers singing sixth song soul sound species spirit step strings sung sweet syllable synemmenon tenor tetrachord TEXT things third tion tone tonoi Translation treatise verses voice words Zarlino