"With One Heart and One Voice": A Core Repertory of Hymn Tunes Published for Use in the Methodist Episcopal Church in the United States, 1808-1878The publication by John Wesley of the "Foundery" Collection (1742) marked the establishment of standards for tunes suited to Methodist hymn singing. Early Methodist hymn books in the United States contained words only, but they were cross-referenced with a leader's tune book, beginning with David's Companion (1808). "With One Heart and One Voice" reviews the trends surrounding the styles of tunes selected and analyzes the changes in shape and text for the most frequently used tunes in the Methodist Episcopal Church. Seventy six "core repertory" tunes are analyzed based upon their repeated appearances in most of the tune books published between 1808 and 1878, at which point Methodists finally obtained a hymnal with both words and music, after a half century of experimentation with tune selection. The conclusions reached in this work will allow scholars, hymnologists, and hymn singers to explore the social and musicological influences on hymn tune writing, how long it took for texts to acquire a "fixed tune," how tastes in hymn tunes change ever so slowly, and how many delightful tunes found in the core repertory of the 19th century have been dropped from today's repertoire. |
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Contenido
Hymn Singing in Early America | 1 |
Methodist Tunes and Tunebooks of the Eighteenth and Nineteenth Centuries | 5 |
The Classifications of Tunes Contained in the Core Repertory of Tunes in Tunebooks of the Methodist Episcopal Church | 19 |
Interpretation and Conclusions | 29 |
Biographies and Content of the Core Repertory 18081878 in Tunebooks of the Methodist Episcopal Church | 37 |
Annotated Bibliography of Tunebooks Used in the Survey | 137 |
Alphabetical List of Tunes | 145 |
Metrical Index of Tunes | 149 |
153 | |
Chronological List of Tune Appearances | 157 |
Selected Bibliography | 161 |
165 | |
Términos y frases comunes
Additional references American antiphonal appeared BANGNMH bass Bb Bb Boston century changes Clark Collection Common Meter Companion composers contains Core Repertory Crawford DINGCDH dominant duple early edition English F F F Figure four fuging tune G G G grace half Handel Harmonist Harmony Haydn heart HYMN Hymnal includes JACKSSH Jesus John later London Long Meter Lord Luther major mode Mason MEAR measure melody Methodist Episcopal Church Music NELSHWT notes opening original period phrase plain tune praise presented Press printed Psalm publication published Read repeat rest rhythm Sacred Scottish Selection settings shape Short singing Smith song soprano soul sources Stanley STREET style Temperley thee third Thomas thou throughout tunebooks United University versions voice Wasson WOODILZ WOODINLZ HU WOODINLZ WOODINLZ HU PHILPNHT worship York ZION