Romanticism and the Social Order, 1780-1830 |
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Página 17
In England the conflict between the romantic and the classical was less marked , because the fundamentals of classical thought had been eroded more thoroughly by the empiricism of the eighteenth century .
In England the conflict between the romantic and the classical was less marked , because the fundamentals of classical thought had been eroded more thoroughly by the empiricism of the eighteenth century .
Página 32
But where the novelist so often reminds him that romantic fears are foolish , the reader may be forgiven for not entering fully into the romantic aspects of her tale . Nor has she the power to create a truly romantic villain ...
But where the novelist so often reminds him that romantic fears are foolish , the reader may be forgiven for not entering fully into the romantic aspects of her tale . Nor has she the power to create a truly romantic villain ...
Página 125
Cowper was not a Romantic ; the passionate turmoils of the Romantic poets still lay ahead when he wrote The Task ; but in his deeply personal writing , his preference for feeling over knowledge , his love of the country life ...
Cowper was not a Romantic ; the passionate turmoils of the Romantic poets still lay ahead when he wrote The Task ; but in his deeply personal writing , his preference for feeling over knowledge , his love of the country life ...
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Contenido
Acknowledgements | 6 |
Burke and the Whigs | 38 |
The Radicals | 80 |
Derechos de autor | |
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Términos y frases comunes
appeared beauty became become Burke Byron called cause century character Church classes Coleridge common concerned constitution danger death effect England equally evil existence experience fact fear feel followed force France French George give hand happy heart hope House human idea imagination important individual influence interest Italy John King knowledge labour later less Letters liberty lived look Lord means mind moral nature never once opinion Paine painting period philosophy poem poet poetry political poor present principles problems reason reform regarded religion religious remained romantic Scott seemed sense Shelley social society Southey spirit story things thought thousand tradition true truth turn universe whole Wordsworth writing wrote