John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 36
Richard Kostelanetz. Before returning to Cage's music , I want to look at certain scores from the 1950s , which are in a different way visually nonhierarchical and nonfocused . That is , where a con- ventional music score consists of ...
Richard Kostelanetz. Before returning to Cage's music , I want to look at certain scores from the 1950s , which are in a different way visually nonhierarchical and nonfocused . That is , where a con- ventional music score consists of ...
Seite 49
Richard Kostelanetz. • The Keystones of the Cagean Canon The history of misunderstanding Cage's music is almost as long and as rich as the development of his compositional art . Very much aware from the beginning of those who were ...
Richard Kostelanetz. • The Keystones of the Cagean Canon The history of misunderstanding Cage's music is almost as long and as rich as the development of his compositional art . Very much aware from the beginning of those who were ...
Seite 152
... Cage produced Roaratorio in Europe , initially for West- deutscher Rundfunk in Cologne , where these radio works are produced not by WDR's music department , which nonetheless airs transcriptions of Cage's music , but by Hörspiel , pro ...
... Cage produced Roaratorio in Europe , initially for West- deutscher Rundfunk in Cologne , where these radio works are produced not by WDR's music department , which nonetheless airs transcriptions of Cage's music , but by Hörspiel , pro ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York