John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 36
... Cagean score from this period is a field of visibly independent aggregates that can be played in any order ; and further to eschew the possibility of a structural climax , the pages of Winter Music ( 1957 ) , for instance , are ...
... Cagean score from this period is a field of visibly independent aggregates that can be played in any order ; and further to eschew the possibility of a structural climax , the pages of Winter Music ( 1957 ) , for instance , are ...
Seite 49
... Cagean masterpieces have in com- mon is a grandness of conception - they take a single idea and explore it exhaustively , at length . As Cage said in another con- text , " What we want now is quantity ; we get quality automat- ically ...
... Cagean masterpieces have in com- mon is a grandness of conception - they take a single idea and explore it exhaustively , at length . As Cage said in another con- text , " What we want now is quantity ; we get quality automat- ically ...
Seite 170
... Cagean ways . For many fans of competitive running and jumping , the annual Millrose Games is the apex of the New York City indoor - track season ; for me it is the epitome of nonhierarchic , noncentered Cagean performance . The floor ...
... Cagean ways . For many fans of competitive running and jumping , the annual Millrose Games is the apex of the New York City indoor - track season ; for me it is the epitome of nonhierarchic , noncentered Cagean performance . The floor ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York