John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 23
... Earle Brown and Morton Feldman , James Tenney and Christian Wolff . Influ- enced in part by Cage's example , the European composers Pierre Boulez and Karlheinz Stockhausen introduced aleatoric elements into their previously fixed pieces ...
... Earle Brown and Morton Feldman , James Tenney and Christian Wolff . Influ- enced in part by Cage's example , the European composers Pierre Boulez and Karlheinz Stockhausen introduced aleatoric elements into their previously fixed pieces ...
Seite 71
... Earle Brown , we made several pieces - one by Earle , one by me , one by Christian Wolff and one by Morton Feldman , with funding from Paul Williams . I made the Williams Mix then . All of that work was done with excitement over the ...
... Earle Brown , we made several pieces - one by Earle , one by me , one by Christian Wolff and one by Morton Feldman , with funding from Paul Williams . I made the Williams Mix then . All of that work was done with excitement over the ...
Seite 72
... Earle Brown , and we did the Intersection of Morton Feldman . Earle's piece was made with the rubbish from the pieces by Feldman and Wolff and myself . Using similar compositional operations ? Using his own composing means , but with ...
... Earle Brown , and we did the Intersection of Morton Feldman . Earle's piece was made with the rubbish from the pieces by Feldman and Wolff and myself . Using similar compositional operations ? Using his own composing means , but with ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York