John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 93
... Erik Satie that Cage has publicly praised , confirming the esthetic principle that even avant - garde art comes out of discernibly previous art . By the late 1940s Cage introduced aleatory techniques into the process of setting marks to ...
... Erik Satie that Cage has publicly praised , confirming the esthetic principle that even avant - garde art comes out of discernibly previous art . By the late 1940s Cage introduced aleatory techniques into the process of setting marks to ...
Seite 113
... Erik Satie ) . The shape functions as a prescription for the production of sound : " Let the upper and lower extremes for the symmetrical shape relate to the upper and lower extremes of voice register . Let horizon- tal space relate to ...
... Erik Satie ) . The shape functions as a prescription for the production of sound : " Let the upper and lower extremes for the symmetrical shape relate to the upper and lower extremes of voice register . Let horizon- tal space relate to ...
Seite 154
... Erik Satie , Marcel Duchamp : An Alphabet " consists of mesos- tics that Cage wrote out of his own head on the names of these three heroes , all of whom , in Cage's curious judgment , have made works that " resisted the march of ...
... Erik Satie , Marcel Duchamp : An Alphabet " consists of mesos- tics that Cage wrote out of his own head on the names of these three heroes , all of whom , in Cage's curious judgment , have made works that " resisted the march of ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York