John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 32
... Jasper Johns and Robert Rauschenberg . Together and separately , Cage and Cunningham rank among the most influential artists of their time , affecting not only their own arts but , more significantly perhaps , others as well . In his ...
... Jasper Johns and Robert Rauschenberg . Together and separately , Cage and Cunningham rank among the most influential artists of their time , affecting not only their own arts but , more significantly perhaps , others as well . In his ...
Seite 105
... Jasper Johns , both of whom became his per- sonal friends , in addition to countless passing acquaintances and even strangers . The common opinion holds that no other individual has had as much influence upon advanced visual art ...
... Jasper Johns , both of whom became his per- sonal friends , in addition to countless passing acquaintances and even strangers . The common opinion holds that no other individual has had as much influence upon advanced visual art ...
Seite 106
... Jasper Johns introduced in the 1970s . Finally , the visual arts world was always predisposed to appreciate the exquisite cal- ligraphy of Cage's musical scores , many of which were exhibit- ed at the Stable Gallery in New York in 1958 ...
... Jasper Johns introduced in the 1970s . Finally , the visual arts world was always predisposed to appreciate the exquisite cal- ligraphy of Cage's musical scores , many of which were exhibit- ed at the Stable Gallery in New York in 1958 ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York