John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
Im Buch
Ergebnisse 1-3 von 6
Seite 12
... Jill Johnston commented , " and does not depend for its value on its place within a system of sounds . ” Imaginary Landscape No. 4 is composed for twelve radios and twenty - four performers , one for each station - selecting dial , the ...
... Jill Johnston commented , " and does not depend for its value on its place within a system of sounds . ” Imaginary Landscape No. 4 is composed for twelve radios and twenty - four performers , one for each station - selecting dial , the ...
Seite 84
... Jill Johnston put it , is clearly " distinct from expressing nothing . " By investing a situation where sophisticated contemporary music is expected with nothing intentionally audible , Cage implied that in the silence was “ music ...
... Jill Johnston put it , is clearly " distinct from expressing nothing . " By investing a situation where sophisticated contemporary music is expected with nothing intentionally audible , Cage implied that in the silence was “ music ...
Seite 89
... Jill Johnston has accurately explained : [ It ] refers to a projected rendezvous , with friends in Mexico , but who could say what would happen a year from Monday , much less a year from Tuesday , another day of interrupted designs ...
... Jill Johnston has accurately explained : [ It ] refers to a projected rendezvous , with friends in Mexico , but who could say what would happen a year from Monday , much less a year from Tuesday , another day of interrupted designs ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York