John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 25
Richard Kostelanetz. • Cunningham / Cage Merce Cunningham and John Cage - sometimes they were separate , sometimes together . They began separately , Cage in Los Angeles in 1912 , Cunningham in Centralia , Washington , around 1919. They ...
Richard Kostelanetz. • Cunningham / Cage Merce Cunningham and John Cage - sometimes they were separate , sometimes together . They began separately , Cage in Los Angeles in 1912 , Cunningham in Centralia , Washington , around 1919. They ...
Seite 27
Richard Kostelanetz. Once a principal performer in the Graham company , Merce Cunningham had by the late 1940s moved outside the bounds of his profession . Not only were his performances with Cage unreviewed , they were frequently ...
Richard Kostelanetz. Once a principal performer in the Graham company , Merce Cunningham had by the late 1940s moved outside the bounds of his profession . Not only were his performances with Cage unreviewed , they were frequently ...
Seite 186
... Merce Cunningham 1972 1974 Cheap Imitations Composes Etudes Astrales based on astrological charts Museum of Modern Art , launch- ing the careers of Andy Warhol and Robert Rauschenberg Ensembles for Synthesizers by Milton Babbitt ; In C ...
... Merce Cunningham 1972 1974 Cheap Imitations Composes Etudes Astrales based on astrological charts Museum of Modern Art , launch- ing the careers of Andy Warhol and Robert Rauschenberg Ensembles for Synthesizers by Milton Babbitt ; In C ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York