John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 81
... Silence . In the latter they appear not only in the chapter marked " Indetermina- cy " but scattered throughout its pages , " playing the function that odd bits of information play at the ends of columns in a small - town newspaper ...
... Silence . In the latter they appear not only in the chapter marked " Indetermina- cy " but scattered throughout its pages , " playing the function that odd bits of information play at the ends of columns in a small - town newspaper ...
Seite 87
... silence is simply no sound , so stories are just anecdotes — but more significant meanings are invariably implied or inferred , by the piece , the spectator , or both . However , to put these stories into conventional print , as Cage ...
... silence is simply no sound , so stories are just anecdotes — but more significant meanings are invariably implied or inferred , by the piece , the spectator , or both . However , to put these stories into conventional print , as Cage ...
Seite 121
... silence . He said silence was a sphere , and sounds were bubbles on its surface . Isn't that beautiful ? So your idea of Empty Words was a lecture heard for ten hours .... And you'd have half - hour intermissions between the parts . So ...
... silence . He said silence was a sphere , and sounds were bubbles on its surface . Isn't that beautiful ? So your idea of Empty Words was a lecture heard for ten hours .... And you'd have half - hour intermissions between the parts . So ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York