John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 110
... Voice 3-58 , " the second " Solos for Voice 59-92 , " and the third " Instructions " ) , eight and a half inches ... Solo for Voice 3 " opens with this instruction for the singer : " Using the map of Concord given , go from Fair Haven ...
... Voice 3-58 , " the second " Solos for Voice 59-92 , " and the third " Instructions " ) , eight and a half inches ... Solo for Voice 3 " opens with this instruction for the singer : " Using the map of Concord given , go from Fair Haven ...
Seite 111
... Solo for Voice 45 " has eighteen pages of separate clusters of notes only , which “ may be used separately from the other solos by a singer or shared by two to eighteen singers to provide a program of an agreed upon length . " If the ...
... Solo for Voice 45 " has eighteen pages of separate clusters of notes only , which “ may be used separately from the other solos by a singer or shared by two to eighteen singers to provide a program of an agreed upon length . " If the ...
Seite 113
... Solo for Voice 33 , " is a text in French ( from Erik Satie ) . The shape functions as a prescription for the production of sound : " Let the upper and lower extremes for the symmetrical shape relate to the upper and lower extremes of voice ...
... Solo for Voice 33 , " is a text in French ( from Erik Satie ) . The shape functions as a prescription for the production of sound : " Let the upper and lower extremes for the symmetrical shape relate to the upper and lower extremes of voice ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York