John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 19
... University ; from then on he con- sidered himself a devotee of Zen Buddhism . ( He recalled that when he told his mother about receiving a one - year appoint- ment at Wesleyan University , she replied , " Do they know you're a Zen ...
... University ; from then on he con- sidered himself a devotee of Zen Buddhism . ( He recalled that when he told his mother about receiving a one - year appoint- ment at Wesleyan University , she replied , " Do they know you're a Zen ...
Seite 178
... University Press tend to be collections of short pieces , both expository and experimental , which are by turns accessible and impenetrable , gathered in no particular order and thus usually disappointing to those accustomed to reading ...
... University Press tend to be collections of short pieces , both expository and experimental , which are by turns accessible and impenetrable , gathered in no particular order and thus usually disappointing to those accustomed to reading ...
Seite
... 29 4907 MAR 80 1998 SEP 29 003 JUN 01 1999 JUN 91-1999 JUNGA 38 2005 J JUNS 0 2005 JUN 3-0 2000 JUN 2 1 2005 MAR 311 2003 STANFORD UNIVERSITY LIBRARIES STANFORD , CALIFORNIA 94305 SEP 0 8 1996. Stanford University Libraries.
... 29 4907 MAR 80 1998 SEP 29 003 JUN 01 1999 JUN 91-1999 JUNGA 38 2005 J JUNS 0 2005 JUN 3-0 2000 JUN 2 1 2005 MAR 311 2003 STANFORD UNIVERSITY LIBRARIES STANFORD , CALIFORNIA 94305 SEP 0 8 1996. Stanford University Libraries.
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York