John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 10
... Williams Mix ( 1952 ) , perhaps Cage's most intricate purely aural endeavor , was offered to the world in an approximately final form . Pursuing the logic of his previous intellectual development , Cage took the esthetic leaps that made ...
... Williams Mix ( 1952 ) , perhaps Cage's most intricate purely aural endeavor , was offered to the world in an approximately final form . Pursuing the logic of his previous intellectual development , Cage took the esthetic leaps that made ...
Seite 49
... Williams Mix ( 1952 ) , The Sonatas and Interludes for Prepared Piano ( 1946–1948 ) , and no more than one other . ( In several interviews , Cage him- self said his best single work was 4′33 ′′ [ 1952 ] , his so - called silent piece ...
... Williams Mix ( 1952 ) , The Sonatas and Interludes for Prepared Piano ( 1946–1948 ) , and no more than one other . ( In several interviews , Cage him- self said his best single work was 4′33 ′′ [ 1952 ] , his so - called silent piece ...
Seite 154
... Williams Mix ( 1952 ) . For this maximal work he gathered taped sounds from a universe of sources ; these tapes were cut into small pieces , some much shorter than audiotape is wide , and then spliced together into an aural pastiche ...
... Williams Mix ( 1952 ) . For this maximal work he gathered taped sounds from a universe of sources ; these tapes were cut into small pieces , some much shorter than audiotape is wide , and then spliced together into an aural pastiche ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York