John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 118
... Words contains only the second of Cage's work- ings with the Wake ; the first , longer Joyce piece appeared ini- tially as a special issue of the James Joyce Quarterly and has since been reissued as a book , Writing Through Finnegans ...
... Words contains only the second of Cage's work- ings with the Wake ; the first , longer Joyce piece appeared ini- tially as a special issue of the James Joyce Quarterly and has since been reissued as a book , Writing Through Finnegans ...
Seite 119
... Words and Writings Through Finnegans Wake are language - based , they fit snugly into the great American tradition of poetry that realizes an eccentric innovation in the machinery of the art - a radical change not in meaning or in ...
... Words and Writings Through Finnegans Wake are language - based , they fit snugly into the great American tradition of poetry that realizes an eccentric innovation in the machinery of the art - a radical change not in meaning or in ...
Seite 150
... in 1978 with Klaus Schöning's invitation to Cage to read aloud one of his Writings Through Finnegans Wake . These are a series of Cagean texts in which Cage extracts sequentially certain words from Joyce's classic and then sets them on ...
... in 1978 with Klaus Schöning's invitation to Cage to read aloud one of his Writings Through Finnegans Wake . These are a series of Cagean texts in which Cage extracts sequentially certain words from Joyce's classic and then sets them on ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York