John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 4
... abundance of sounds within only several minutes . I then like HPSCHD ( 1969 ) , in which Cage filled a sixteen - thousand - seat basketball arena with a multitude of sounds and sights , and Europera ( 1987 ) , which draws upon ...
... abundance of sounds within only several minutes . I then like HPSCHD ( 1969 ) , in which Cage filled a sixteen - thousand - seat basketball arena with a multitude of sounds and sights , and Europera ( 1987 ) , which draws upon ...
Seite 101
... abundance . I used to think of five as the most things we could perceive at once ; but the way things are going recently , it may be in a sense of quantity , rather than quality , that we have our hope . When you use the word ' chaos ...
... abundance . I used to think of five as the most things we could perceive at once ; but the way things are going recently , it may be in a sense of quantity , rather than quality , that we have our hope . When you use the word ' chaos ...
Seite 151
... abundance . Roaratorio falls securely into the second tradition . The continuous bass , or cantus firmus , if you will , is the sound of Cage himself reading . On top of that is an abundant mix of sounds in which the most sustained ...
... abundance . Roaratorio falls securely into the second tradition . The continuous bass , or cantus firmus , if you will , is the sound of Cage himself reading . On top of that is an abundant mix of sounds in which the most sustained ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York