John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 147
... acoustic experience ( including music ) . Cage's next poetic sequence went through James Joyce's Finnegans Wake , producing five different texts composed entirely of Joyce's words . For these last poems he developed the form he still ...
... acoustic experience ( including music ) . Cage's next poetic sequence went through James Joyce's Finnegans Wake , producing five different texts composed entirely of Joyce's words . For these last poems he developed the form he still ...
Seite 151
... acoustic mixes , at once cacophonous and euphonious , that , while they may vary in detail , are roughly similar in quality ( and quantity ) for the entire duration . Whereas some Cage pieces have contained much less sound than music ...
... acoustic mixes , at once cacophonous and euphonious , that , while they may vary in detail , are roughly similar in quality ( and quantity ) for the entire duration . Whereas some Cage pieces have contained much less sound than music ...
Seite 154
... acoustic tape , by contrast , could be spliced gracefully , sounds separately recorded could be fused together without distracting interruptions . Cage remembered that when the French composer Pierre Schaeffer first introduced him to ...
... acoustic tape , by contrast , could be spliced gracefully , sounds separately recorded could be fused together without distracting interruptions . Cage remembered that when the French composer Pierre Schaeffer first introduced him to ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York