John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 8
... artistic evolution that was , like his esthetics , at once highly logical and faintly absurd . In the histo- ry of musical art , Cage descended from the eccentric modern tradition that abandoned nineteenth - century tonal principles and ...
... artistic evolution that was , like his esthetics , at once highly logical and faintly absurd . In the histo- ry of musical art , Cage descended from the eccentric modern tradition that abandoned nineteenth - century tonal principles and ...
Seite 84
... artistic career , Cage managed to be ahead of the herds ; and , as he continued to forge new frontiers , even the most aggressive younger bulls grazed art - historically behind their esthetic daddy . With this book , the author of a ...
... artistic career , Cage managed to be ahead of the herds ; and , as he continued to forge new frontiers , even the most aggressive younger bulls grazed art - historically behind their esthetic daddy . With this book , the author of a ...
Seite 140
... artistic innovation has expired " ) produced something that is by common consent truly avant - garde , something that makes a significant original contribution to the art . It is also true that by achieving such innovation in his mid ...
... artistic innovation has expired " ) produced something that is by common consent truly avant - garde , something that makes a significant original contribution to the art . It is also true that by achieving such innovation in his mid ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York