John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
Im Buch
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Seite 11
... audience made this a situation from which musical sound was expected , the dramatized inference was that the piece's " music " consisted of all the sounds that happened to be audible in the performance hall during the time period of 4 ...
... audience made this a situation from which musical sound was expected , the dramatized inference was that the piece's " music " consisted of all the sounds that happened to be audible in the performance hall during the time period of 4 ...
Seite 31
... audience to true Cun- ningham aficionados . It was a sight . Days later , the New York Times critic suggested , not unreasonably , that Cunningham might hence succeed with the Philharmonic audience if he dumped Cage . In The Village ...
... audience to true Cun- ningham aficionados . It was a sight . Days later , the New York Times critic suggested , not unreasonably , that Cunningham might hence succeed with the Philharmonic audience if he dumped Cage . In The Village ...
Seite 100
... audience milled about the floor while hun- dreds took seats in the bleachers . All over Assembly Hall were people , some of them supine , their eyes closed , grooving on the multiple stereophony . A few people at times broke into dance ...
... audience milled about the floor while hun- dreds took seats in the bleachers . All over Assembly Hall were people , some of them supine , their eyes closed , grooving on the multiple stereophony . A few people at times broke into dance ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York