John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 70
... audiotape ? I must have first encountered it in Paris in the late forties , when I met Pierre Schaeffer , who was the first to do any serious work from a musical point of view in relation to magnetic tape . He made every effort he could ...
... audiotape ? I must have first encountered it in Paris in the late forties , when I met Pierre Schaeffer , who was the first to do any serious work from a musical point of view in relation to magnetic tape . He made every effort he could ...
Seite 154
... audiotape , which is so familiar to us now we tend to forget that it became commonly available only after World War II . Prior to that , sound was recorded on continuous wire that , while it could be cut , could not be spliced easily ...
... audiotape , which is so familiar to us now we tend to forget that it became commonly available only after World War II . Prior to that , sound was recorded on continuous wire that , while it could be cut , could not be spliced easily ...
Seite 155
... audiotape in that it was composed from many parts that were separately recorded ( in fact , on two continents , at different times ) . Insofar as I can understand German , I think the work very good , filled as it is with interesting ...
... audiotape in that it was composed from many parts that were separately recorded ( in fact , on two continents , at different times ) . Insofar as I can understand German , I think the work very good , filled as it is with interesting ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York