John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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... beginning with nonpitched " noises , " which he thought should be heard as music " whether we're in or out of the concert hall . " 99 Though some consider Cage an apostle of " chance , " I think of him as an extremely fecund inventor ...
... beginning with nonpitched " noises , " which he thought should be heard as music " whether we're in or out of the concert hall . " 99 Though some consider Cage an apostle of " chance , " I think of him as an extremely fecund inventor ...
Seite 81
... beginning of the piece and none necessarily an end ; they resemble slips of paper that are picked at random from a ... beginnings and no definite ends . Quite simply they began apart from each other and played until time ran out . Since ...
... beginning of the piece and none necessarily an end ; they resemble slips of paper that are picked at random from a ... beginnings and no definite ends . Quite simply they began apart from each other and played until time ran out . Since ...
Seite 178
... beginning to end . Some of my own frustration with them appears in my critical comments in this book . These titles include Silence ( 1961 ) , A Year from Monday ( 1967 ) , M ( 1973 ) , Empty Words ( 1979 ) , and X ( 1983 , 1986 ) . I ...
... beginning to end . Some of my own frustration with them appears in my critical comments in this book . These titles include Silence ( 1961 ) , A Year from Monday ( 1967 ) , M ( 1973 ) , Empty Words ( 1979 ) , and X ( 1983 , 1986 ) . I ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York