John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 12
... chaotic character of the environment , but mostly because , he said , of a promise he made in the early 1930s to Arnold Schoenberg to devote his entire life to music in exchange for the elder composer's free lessons . Cage also took ...
... chaotic character of the environment , but mostly because , he said , of a promise he made in the early 1930s to Arnold Schoenberg to devote his entire life to music in exchange for the elder composer's free lessons . Cage also took ...
Seite 85
... chaotic experience , so it is likewise irrelevant to evaluate one conglomeration of noise against another . What matters , quite simply , is what the perspicacious ear manages to apprehend if not appreciate . " Value judgments are ...
... chaotic experience , so it is likewise irrelevant to evaluate one conglomeration of noise against another . What matters , quite simply , is what the perspicacious ear manages to apprehend if not appreciate . " Value judgments are ...
Seite 135
... chaotic mise - en - scène . In a booklet prepared for the original performance is this further explanation : " A computer program , compiled by chance operations , controls the lighting process . It only makes use of the black - and ...
... chaotic mise - en - scène . In a booklet prepared for the original performance is this further explanation : " A computer program , compiled by chance operations , controls the lighting process . It only makes use of the black - and ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York