John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 25
... choreography . The first generation , led by Isadora Duncan , rejected the tone and devices of classical ballet ... choreographers danced on stan- dard theatrical stages to conventionally tonal music , the rhythm of their movements ...
... choreography . The first generation , led by Isadora Duncan , rejected the tone and devices of classical ballet ... choreographers danced on stan- dard theatrical stages to conventionally tonal music , the rhythm of their movements ...
Seite 28
... choreographers posit- ed a central theme that informed all the parts , which in turn reinforced the initial concept ... choreography depended first upon his tight - jointedness - he could leap but he could not stretch - and then upon ...
... choreographers posit- ed a central theme that informed all the parts , which in turn reinforced the initial concept ... choreography depended first upon his tight - jointedness - he could leap but he could not stretch - and then upon ...
Seite 31
... choreographers . At the time , a typical Cagean piece consisted of silences punctuated by earsplitting amplified ... choreographer , he would , by contrast , probably have thought of how to transcend those limits and let me speculate ...
... choreographers . At the time , a typical Cagean piece consisted of silences punctuated by earsplitting amplified ... choreographer , he would , by contrast , probably have thought of how to transcend those limits and let me speculate ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York