John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
Im Buch
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Seite 12
... composed one half of enthusiasm , the other half of irony , “ The music I prefer , even to my own and everything , is what we hear if we are just quiet . " Accepting the implications of all his actions , Cage deduced that the most ...
... composed one half of enthusiasm , the other half of irony , “ The music I prefer , even to my own and everything , is what we hear if we are just quiet . " Accepting the implications of all his actions , Cage deduced that the most ...
Seite 13
... composed by transferring the patterns of stars from an atlas to sheets of music paper , offers eighty - six instrumental parts " to be played in whole or part , for any duration , in any ensemble , chamber or orchestral , of the above ...
... composed by transferring the patterns of stars from an atlas to sheets of music paper , offers eighty - six instrumental parts " to be played in whole or part , for any duration , in any ensemble , chamber or orchestral , of the above ...
Seite 52
... composed . " Cage at the time had been collecting an arsenal of percussion instru- ments , so that his doctoring of the piano , usually by inserting bolts or large wooden screws between the strings , connected one instrumental ...
... composed . " Cage at the time had been collecting an arsenal of percussion instru- ments , so that his doctoring of the piano , usually by inserting bolts or large wooden screws between the strings , connected one instrumental ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York