John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
Im Buch
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Seite 22
... composition . ” In the late 1960s Cage compiled a rich book of modern composi- tional notation - an anthology of manuscripts by the major modern composers - partially to benefit the Foundation for Contemporary Performance Arts , which ...
... composition . ” In the late 1960s Cage compiled a rich book of modern composi- tional notation - an anthology of manuscripts by the major modern composers - partially to benefit the Foundation for Contemporary Performance Arts , which ...
Seite 23
... composition pupils , Robert Dunn , taught the classes that inspired one of the most radical developments in post - Cunningham dance - the collection of adventurous performance activities of the Judson Church movement . Cage's influence ...
... composition pupils , Robert Dunn , taught the classes that inspired one of the most radical developments in post - Cunningham dance - the collection of adventurous performance activities of the Judson Church movement . Cage's influence ...
Seite 106
... composition . ( It , too , is reproduced in John Cage . ) Rescued at the time by his colleague the composer Earle Brown , this piece of unintentional art resembles a Jackson Pollock , who was like- wise concerned with all - over ...
... composition . ( It , too , is reproduced in John Cage . ) Rescued at the time by his colleague the composer Earle Brown , this piece of unintentional art resembles a Jackson Pollock , who was like- wise concerned with all - over ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York