John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 25
... dance choreography . The first generation , led by Isadora Duncan , rejected the tone and devices of classical ballet , with its fixed vocabulary of positions and movements , and put the dancer's feet flat on the floor and used freely ...
... dance choreography . The first generation , led by Isadora Duncan , rejected the tone and devices of classical ballet , with its fixed vocabulary of positions and movements , and put the dancer's feet flat on the floor and used freely ...
Seite 29
... dancer's body to function disjunctively and nonsynchronously . Once , in Untitled Solo ( 1953 ) , he listed the movable parts of ... dance . ” Since Cunningham's nonsymbolic movements are meant to be appreciated apart 29 Cunningham / Cage.
... dancer's body to function disjunctively and nonsynchronously . Once , in Untitled Solo ( 1953 ) , he listed the movable parts of ... dance . ” Since Cunningham's nonsymbolic movements are meant to be appreciated apart 29 Cunningham / Cage.
Seite 30
... dance demands not the empathy of the spectator but , as Cage once explained , " your faculty of kinesthetic sympathy . It is this fac- ulty we employ when , seeing the flight of birds , we ourselves , by identification , fly up , glide ...
... dance demands not the empathy of the spectator but , as Cage once explained , " your faculty of kinesthetic sympathy . It is this fac- ulty we employ when , seeing the flight of birds , we ourselves , by identification , fly up , glide ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York