John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
Im Buch
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Seite 54
... electronics used by rock groups . " How else can you explain a phenomenon like this , " Cage observed in the late ... electronic sound generators . Nonetheless , he continued to exhibit a special affection for his primary instrument ...
... electronics used by rock groups . " How else can you explain a phenomenon like this , " Cage observed in the late ... electronic sound generators . Nonetheless , he continued to exhibit a special affection for his primary instrument ...
Seite 100
... electronic sound machinery was turned off , the mix ran down into silence , the house lights turned on , and the elated audience drifted out . At parties that night and the fol- lowing day , people compared perceptions ; while everyone ...
... electronic sound machinery was turned off , the mix ran down into silence , the house lights turned on , and the elated audience drifted out . At parties that night and the fol- lowing day , people compared perceptions ; while everyone ...
Seite 183
... electronic instrument to repro- duce human voice ; first per- mance of Charles Ives's Second Piano Sonata , titled Concord , Mass . 1840-1860 World premiere of Schoenberg's Violin Concerto , written in 1936 , a seminal twelve - tone ...
... electronic instrument to repro- duce human voice ; first per- mance of Charles Ives's Second Piano Sonata , titled Concord , Mass . 1840-1860 World premiere of Schoenberg's Violin Concerto , written in 1936 , a seminal twelve - tone ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York