John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 86
... heard together ; but because he was less interested in barbed juxtaposition than abundant mixtures , the result is less collage than something distinctly Cagean . That roughly explains why an experienced ear , though it may not have heard ...
... heard together ; but because he was less interested in barbed juxtaposition than abundant mixtures , the result is less collage than something distinctly Cagean . That roughly explains why an experienced ear , though it may not have heard ...
Seite 121
... heard the sounds coming in from the outside . So , putting these two things together , the long night business and then the dawn of the opening of the doors , I thought of the opening of the doors occurring at dawns and making four lec ...
... heard the sounds coming in from the outside . So , putting these two things together , the long night business and then the dawn of the opening of the doors , I thought of the opening of the doors occurring at dawns and making four lec ...
Seite 176
... heard first three decades ago and the only one I knew for many years . I once heard a sophisticated New York classical disk jockey recommend it as well for " the quality of the prepa- rations . " On second thought , however , neither of ...
... heard first three decades ago and the only one I knew for many years . I once heard a sophisticated New York classical disk jockey recommend it as well for " the quality of the prepa- rations . " On second thought , however , neither of ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York