John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 76
... ideas . The sounds of Calder's studio relate back to your idea of the sounds for the Patchen piece . Yes . Since this film was about the mobiles of Calder , to go into his studio and tape the sounds of mobiles bumping into one another ...
... ideas . The sounds of Calder's studio relate back to your idea of the sounds for the Patchen piece . Yes . Since this film was about the mobiles of Calder , to go into his studio and tape the sounds of mobiles bumping into one another ...
Seite 83
... ideas relevant to all sorts of artistic , philosoph- ical , and social endeavors . Cage was so emancipated from pro- fessional conventions that he could freely follow his imagination into any medium and risk innovative work in areas ...
... ideas relevant to all sorts of artistic , philosoph- ical , and social endeavors . Cage was so emancipated from pro- fessional conventions that he could freely follow his imagination into any medium and risk innovative work in areas ...
Seite 88
... ideas , statements , words and stories , " Cage posited a system of compositional constraints and indetermi- nate procedures ( which also constrain his expression ) described in his headnote : For each day , I determined by chance ...
... ideas , statements , words and stories , " Cage posited a system of compositional constraints and indetermi- nate procedures ( which also constrain his expression ) described in his headnote : For each day , I determined by chance ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York