John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 6
... imaginative ideas that cannot be rejected or accepted in toto . Quite simply , much of what he said was valuable and digestible , though also much was chaff ; yet the task of winnowing poses a multifarious crit- ical challenge that has ...
... imaginative ideas that cannot be rejected or accepted in toto . Quite simply , much of what he said was valuable and digestible , though also much was chaff ; yet the task of winnowing poses a multifarious crit- ical challenge that has ...
Seite 83
... imaginative touches . He talked like no one else , conducted his personal existence like no one else , composed performance pieces like no one else , and , as this book amply demonstrates , wrote as no one else would dare . ( Even its ...
... imaginative touches . He talked like no one else , conducted his personal existence like no one else , composed performance pieces like no one else , and , as this book amply demonstrates , wrote as no one else would dare . ( Even its ...
Seite 138
... imaginative constraints , alternative materials , and sophisticat- ed laughter . In size and scale , Europera belongs to the same class as his Sonatas and Interludes ( 1946-1948 ) , Williams Mix ( 1952 ) , HPSCHD ( 1969 ) , and ...
... imaginative constraints , alternative materials , and sophisticat- ed laughter . In size and scale , Europera belongs to the same class as his Sonatas and Interludes ( 1946-1948 ) , Williams Mix ( 1952 ) , HPSCHD ( 1969 ) , and ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York