John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 8
... language of contemporary music , as distinct from the main- stream language - Copland , Britten , and middle period Stravin- sky - and the serial language , initiated by Arnold Schoenberg and propagated by Anton Webern , Milton Babbitt ...
... language of contemporary music , as distinct from the main- stream language - Copland , Britten , and middle period Stravin- sky - and the serial language , initiated by Arnold Schoenberg and propagated by Anton Webern , Milton Babbitt ...
Seite 117
... language : speaksix round and longer than the shelloppressed and now ten feet high heroTheclosely isor have looked wellthat and spruces the and a darker line below it This stanza comes from the first page of the first part , which ...
... language : speaksix round and longer than the shelloppressed and now ten feet high heroTheclosely isor have looked wellthat and spruces the and a darker line below it This stanza comes from the first page of the first part , which ...
Seite 179
... languages in which he writes , but in several volumes of German translation from Merveverlag ( Postfach 150 927 , D - 10671 Berlin , Germany ) . Some of the best German - language criticism and documenta- tion appears in two volumes ...
... languages in which he writes , but in several volumes of German translation from Merveverlag ( Postfach 150 927 , D - 10671 Berlin , Germany ) . Some of the best German - language criticism and documenta- tion appears in two volumes ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York