John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 120
... lecture . I think that's because the average lecture , say in a college , should be forty minutes . Why did you make your own lectures nearly four times as long ? I had been very impressed by an experience I had in Japan , in 1964 , of ...
... lecture . I think that's because the average lecture , say in a college , should be forty minutes . Why did you make your own lectures nearly four times as long ? I had been very impressed by an experience I had in Japan , in 1964 , of ...
Seite 121
Richard Kostelanetz. lecture there that went on for hours and hours , and we had been warned that it was going to be ... lecture was to begin . So , with three half - hour intermissions , you'd therefore have to begin eleven and a 121 ...
Richard Kostelanetz. lecture there that went on for hours and hours , and we had been warned that it was going to be ... lecture was to begin . So , with three half - hour intermissions , you'd therefore have to begin eleven and a 121 ...
Seite 123
... Lecture One of Empty Words , we have no sentences . Though they did exist in Mureau , now they're gone . In the second one , the phrases are gone , and in the third part the words are gone , except those that have only one syllable ...
... Lecture One of Empty Words , we have no sentences . Though they did exist in Mureau , now they're gone . In the second one , the phrases are gone , and in the third part the words are gone , except those that have only one syllable ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York