John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 61
... listening to the radio . What other radio experiences do you remember from the twenties ? I was very impressed by the Columbia Workshop plays ; they seemed to be worth listening to . My mood for entertainment , when I was young , was ...
... listening to the radio . What other radio experiences do you remember from the twenties ? I was very impressed by the Columbia Workshop plays ; they seemed to be worth listening to . My mood for entertainment , when I was young , was ...
Seite 70
... listening to a musical instrument . Did radio become a favorite musical instrument ? Almost as favored by me as the sounds of traffic . When you were driving the Cunningham troupe around the country in the fifties , did you have a radio ...
... listening to a musical instrument . Did radio become a favorite musical instrument ? Almost as favored by me as the sounds of traffic . When you were driving the Cunningham troupe around the country in the fifties , did you have a radio ...
Seite 121
... listening which is intermittent . I can read to you from the Journal long passages written when he was twenty - one years old , if you please , or twenty - two at the most , on the subject of silence . He said silence was a sphere , and ...
... listening which is intermittent . I can read to you from the Journal long passages written when he was twenty - one years old , if you please , or twenty - two at the most , on the subject of silence . He said silence was a sphere , and ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York